There are many things an artist must have to succeed, and then there are a few things that will make life easier. Today, I am focusing on the necessities. We all know the music business is currently changing, but there have always been changes in the music industry. How we adapt to those changes determines our outlook and success. Perhaps I’m used to change because I’m from the rap world, which was new to music in the 1980s and rap just began making money for the labels heavily in the 1990s–so it’s a relatively new art form. Today, independent rap artists can build successful careers that feed themselves and their families without having to sign to a major record label. Here’s what is needed for that to happen, for rappers and for all artists and musicians looking to build a successful career:
Texas Governor Greg Abbott Urges U.S. Department Of Justice To Reconsider Changes To PRO Licensing Model
Governor Greg Abbott today sent a letter to U.S. Attorney General Loretta Lynch urging her to reconsider The United States Department of Justice’s proposed changes to the Performance Rights Organization (PRO) licensing model. In 2015, the Department of Justice announced they would require PROs such as Broadcast Music, Inc. (BMI) and the American Society of Composers, Authors & Publishers (ASCAP) to require 100 percent licensing rather than allowing PROs to negotiate licensing deals based on their market shares. Governor Abbott objected to the Department of Justice’s decision, which runs counter to longstanding industry expectations, and urged Attorney General Lynch to protect the mechanisms that allow musicians to make a living and create wealth.
When it comes to promoting music online, there are far too many channels, networks, forums, platforms, apps and communities for musicians to be involved with to be present on them all.
So rather than attempt the impossible, you should focus your efforts on a handful that are likely to bare the most fruit.
How are you to know which platforms are most likely to lead to success?
- Wendy Day | A Necessary Business Plan (For Your Career)
- Rachelle Wilber | 4 Ways To Make Your Next Rock Concert Legit
- Lena Sowambur | How To Choose A Supplier
- Dillon Roulet | Meet The Man Who Live Streamed The First Concert With Ben Harper
- Marcella Smeele | How Can You Make The Best Content Marketing Strategy As An Artist/Band/DJ?
A business plan is a necessary tool for anyone starting a business or anyone planning to make money with their music (selling music, performing, selling merchandise). It forces you to think about how to succeed, how to move forward, what that will cost, what obstacles you might hit and how to overcome them. It explains how you plan to run your business, how you will build it, and exactly when and how the income will come.
Few people can disclose that they have never been to a concert and if they can, one of their top wishes is to attend one. From the heart-throbbing sound to the exhilaration goer’s experience, rock concerts are said to be the time of anyone’s lives. Though most believe that there are expectations when going to a concert, the best actions anyone can take is to keep it simple, relaxed, and to have a good time. Making your next rock concert legit is far easier than you think.
Ever wondered how to best choose a supplier to work with your music business enterprise? Or have you been burned? Has a web designer taken the money and not produced the goods? Have you had an ongoing to and fro with a graphic designer who doesn’t seem to “get you?” Well, I have too, here’s my story and here’s the lesson I learned!
Today, we take music streaming platforms like Spotify, Apple Music and Soundcloud for granted, despite their relatively new existence. The growth of digital consumption over the past decade has far exceeded any other period in the music distribution timeline. We decided to take a closer look at how music streaming services came to fruition, beginning with the very first platforms. One such platform was Virgin Jamcast, founded by Scott Roulet in partnership with Virgin Entertainment.
It’s important for artists to gain content about themselves in the Music Industry. It allows them to keep fans updated about their activities. Besides this, it’s also a way to build up relationships in the Music Industry and other fans. In this blog I tell you about artists and their content marketing.
- Anthony Cerullo | The Difference Between Talent And Success In Music
- Rachel Bresnahan | How To Work A 9-to-5 Job And Still Be An Inspired Musician
- Rachelle Wilber | Musical Inventions In The 21st Century
- Dave Marcello | How To Make Better Music With Fan Feedback
This artice originally appeared on the Sonicbids Blog
Even without seeing his full face, it’s a fair assumption that the man pictured above is none other than Bono from U2. Say what you will about the man, but it’s hard to deny his success. The quest to finding success like Bono’s – or any other famous musician, for that matter – is a difficult one. The reasoning behind this is because the definition of success is different for many people.
This article originally appeared on the Sonicbids Blog
I speak for myself when I say this, but I’m sure plenty of other musicians think the same: we all want a consistent, full-time, make-a-living-off-of-music job. Whether that’s behind the scenes or center stage, being able to sustain a life off of our music would be fantastic.
The 21st century is shaping up to be a very interesting decade for music. How we listen and create this ancient art has changed dramatically with the explosion of technological innovation. Ways of composing and creating that were common to past decades have swiftly become obsolete. In this short article, we will take a look at a few of the major innovations of the 21st century that have had a profound effect on music.
This post originally appeared on the Bandzoogle Blog. Dave Marcello is the Head of Artist Growth at Audiokite Research. Audiokite helps musicians, labels, and media companies better understand their audiences through crowdsourcing.
Let’s face it; you’re pretty biased when it comes to evaluating your own music. You may think it’s the most soul-filled, genre-busting art the world has ever heard, or you might view it as a ten-pound bag of trash that belongs out on the sidewalk. That’s why artists need to seek input from people who can be critical and honest, then understand how to put that information into action. Here are some guidelines to help you along the way.
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(Updated January 13, 2016)