It’s no coincidence that so many aspiring musicians live in New York City. The Big Apple is one of the best places in the world for any type of artist to be successful. If you’re already living in one of the five boroughs, you’re on the road to making your musical dreams come true… but you still need to get your act together. Here’s our advice for how to start a band and set yourself up for success. Read full how to start a band in NYC post here.
Getting a record deal has never been easy. Even back in the days when the A&R man was your friend and an artist could make a substantial living from physical sales alone - you still had to be discovered, and nurtured, by someone with clout, connections, resources and know-how. But perhaps a musician was judged more on talent back then, rather than a hook or gimmick.
A fan of Giant Panda Guerrilla Dub Squad recently asked “Wouldn’t you, the band, make more profit if I order a CD instead of getting it from iTunes, where a large portion of it goes to Apple?”
First of all, hats off to @marino2210 for asking such a thoughtful and considerate question. It’s a simple and powerful reminder that most people want to do good and support the things they love. Thank you.
To answer the question…
Every hometown has them – the notoriously “tough” promoter. Once you can connect with them, find your way into their good books, and show your value - they can become a useful ally as you build your budding career.
But, if you don’t and find yourself on their black list, you might as well consider yourself done in that market. Here are some quick ways to work with promoters who’ve seen it all and tips to ensure mutually beneficial relationships for years to come.
Karl Heimer | Tips For Advanced Drumming
Erin Taylor | How Your Choice Of Music Affects Productivity
Jon Ostrow | How To Get More Fans On YouTube
- Alex Cowles | 7 Things I Wish Somebody Had Told Me About Releasing Music
This massive amount of information can be deceiving because students think they have to watch it all. But that’s not the reason we have so many different lessons. The reason we have so many different lessons is because there are so many different drummers who all want to learn something different. We want to help everyone!
So in this article, I want to share with you my five tips for practicing the drums and cutting through the information overload:
Imagine movies or TV shows without music. No music to cue the scenes or to add the suspense, the drama, the romance, etc. It’s hard, right? Music, for sure, makes the world more colorful. It adds life and personality to everyday things. It’s regarded as one of the achievements of the human creativity.
Music affects us in so many ways. In fact, some studies prove it benefits our health significantly. Certain types of music improve sleep quality, reduces stress and anxiety, decreases pain, boost memory, and many more.
As an aspiring DJ preparing for your first gig, it’s a given you’ve got sweaty palms and a racing heart. Even though all eyes are on you, you know you’ve got plenty of great music that will get everyone dancing for hours. However, there are several things that must be done to guarantee success. If you’re a beginning DJ and want to make sure your first gig is one to remember, here’s how you can make it happen.
Why use YouTube to get more fans
Video has always been an important medium for music promotion. Music videos, documentaries, and concert films, have given fans a way to connect more deeply to the music, and the bands they hold so dear.
So it’s no surprise that YouTube has become a must-use social media platform for musicians.
But beyond just simply being a video platform, there are real tangible reasons why YouTube presents a great opportunity for you to find more fans.
About 10 years ago, a pretty awful music producer was sitting in his parents spare-room on his computer trying to make sense of Ableton Live, and the world of record labels, sales and music production.
That producer was me, and there are a few things I wish somebody had told me back then.
I’ve come a fair distance since those days, but many of the things I wish I’d been told are still as true today, so I’d like to cover a few for you.
Thomas Scherer | The Return Of The Song Plugger
Wallace Collins | Judicial Approval Of Contracts With Minors
Mylène Besançon | How Music Production Costs Are Impacting Songwriters
Wes Walls | Music SEO: Know Your SERPs
Hugh McIntyre | 4 Tips For Successfully Building Your Personal Music Brand
The Return Of The Song Plugger - The Unsung Heros Behind Songwriting’s Renaissance In The Digital Age
By Thomas Scherer, EVP US publishing and international writer services at BMG
We’re in the middle of a golden age of collaboration in the music industry. The digital age has removed barriers for artists and writers teaming up to work together, contributing parts, ideas, lyrics and so much more. In the past twelve months, some of the biggest hits in our catalogue - such as DJ Snake’s “Let Me Love You” ft. Justin Bieber and Florida Georgia Line’s “H.O.L.Y.” - have been co-created by amazingly talented writing and production teams. Yet all of this creativity is underpinned by an unsung role that has never been more important within the music industry - the song plugger.
Judicial Approval Of Contracts With Minors - A Necessity For Businesses (Record Business, Modeling Agencies & Tech Companies)
If a person or entity contracts with a minor they need to understsand the law. From managers to production companies to modeling agencies, and even technology start-ups, the predicament of employing or contracting with a party under the age of eighteen has become an increasing problem. The minor is not bound by the contract and may disaffirm the contract at any time during minority or within a reasonable time after reaching majority. Without a valid written agreement the employment is “at will” under the law of most States which means the minor can depart at any time. The dilemma created by a minor’s ability to disaffirm a contract is that it may seriously jeopardize the employer’s financial investment in the services of the minor whether it is the ongoing efforts of an agency to develop the career of a young talent or the technology company’s expectation that is owns the copyright in the code created by the teenage whiz kid it employs.
Maybe you have written some good song lyrics and believe you’re a good songwriter (or at least have been told so). So now, all you need to make it big is to record the right songs that will get picked up by a major label, artist, or publisher, right?
Well, not exactly. Not according to industry statistics, which have painted a dismal picture for the music creation fraternity; especially songwriters. To begin with, approximately 19 out of every 20 songwriters, who have had their music published, do not earn enough from their craft to live comfortably. That is, according to figures released by several performing rights organizations in the U.S.
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(Updated January 13, 2016)