Guest post by Carla Malrowe. This article originally appeared on Soundfly’s Flypaper
Lyrics are very personal; no one can, or should, tell you what to write. However, how you write comes down to skill. And lyric writing as a skill, just like any other, can be improved through open-minded exploration and growth-minded practice.
Today, I want to talk about a new way of approaching lyric writing. It entails using sensory and cinematic stories to relay your core song message. It’s a process of deep exploration to achieve a unique expression.
Warning: Vivid imaginations required!
We’ll look into the lyrical compositions of renowned bands such as Nick Cave and The Bad Seeds, Son Lux, The Vacant Lots, and Arcade Fire, and see how these artists use sensory stories in their lyrics, and what we can learn from them.
There are many ways to discover ideas for great lyrics. One of those ways is being attentive to your everyday experiences, and to actively jot down your thoughts to review at a later stage. Turn this into a habit.
Freewriting is another great way to access your creative reservoirs and trigger your imagination.
Freewriting entails setting a timer for ten minutes, and within that time, writing about any subject or object you can think of, and then carrying on in whichever direction your stream of consciousness flows. This exercise requires you to really let your mind run away with you, without looking up, and without worrying about spelling, grammar, or any other intrusive rules getting in your way.
When you’re ready to sit down and get started on your new composition, go back to what you’ve previously written. Identify the gems and then start chiseling away at them.
+ Read more on Flypaper: “The Most Evocative Lyrics We Heard in 2020.”
Once you have some ideas, think about the concept or the message you’d like to bring across in your lyrics.
Your message could be about an experience you’ve had, the experience of someone else that intrigued you, a feeling you’ve felt, a theory you find interesting, etc. Keep in mind that your message doesn’t necessarily have to be unique, but the way you paint it in the mind of the listener should attempt to be.
The challenge is to deliver a message that a great many people can relate to, in a way that no-one has delivered it before. Jared Artaud from The Vacant Lots expressed in an interview that he tries to center his lyrical messages around correlations between his own experiences and the experiences of others — allowing listeners to be able to relate, and thereby, feel less alone.
In their song “Party’s Over,” they sing:
“The party’s over,
And your memories,
Fade into the seams,
Of your synthetic dreams.”
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Music is meant to serve a purpose and accommodate a specific environment in people’s lives. Establishing your own context will equip you with some guidelines as to the boundaries of your lyrics.
Son Lux’s song, “Dream State,” accommodates a theatrical, or dramatic, setting that requires attentive listening.
This song triggers one’s imagination and evokes a strong emotional response through beautiful imagery, relaying a sense of nostalgia.
“Days we were young,
We took photographs of everything we could see,
We knew we were,
Impervious no matter how we’d bleed.”
With concept and now context established, it’s time to start putting together your story. Let’s talk about the senses.
Inputs absorbed through sight, smell, sound, taste, and touch are always lingering in our memories, creating a wealth of inspiration to draw from when it comes to lyric writing. Your message can be strongly delivered if expressed through sensory elements—in a way that simply stating it won’t.
Nick Cave and The Bad Seeds, in their song, “Fifteen Feet of Pure White Snow,” sings:
“Would you please put down that telephone,
We’re under fifteen feet of pure white snow.”
They have taken the sensory experience of snow and chose to express it as an impending threat. They’ve created an impactful and cinematic way of delivering a message that more or less translates to: “Can everyone please stop what they’re doing and acknowledge that we’re stuck under a frightful force that is probably going to kill us” — at least that’s how I hear it.
+ Learn more on Soundfly: Discover how Grammy Award winning pop artist Kimbra creates her beloved, awe-inspiring songs, lyrics, and voice-led compositions in our brand new course, Kimbra: Vocal Creativity, Arranging, and Production.
To find your unique angle when you’re developing your message, try and sense it. This basically means, try to define what your concept looks like, feels like, smells like, etc.
Draw from your archive of sensory input to develop your idea into a piece of art. It could spring from a story you’ve been told, a sculpture you’ve seen, an interaction you’ve encountered, a poem that struck a chord. Anything, from a view of an old gothic chapel to the softness of your baby sister’s hair, can be loaded with potential for great sensory writing.
Using vibrant imagery and figurative language will usually evoke the desired emotion in your listener better than clearly stating it.
A great example occurs in Arcade Fire’s song, “Black Wave / Bad Vibrations.”
“Nothing lasts forever,
That’s the way it’s got to be.
There’s a great black wave,
In the middle of the sea,
For me.”
Collect a series of frames that you think best depicts your message and project it onto the mind of your listener. Music should be seen, tasted, felt… not just heard.
Reassess what you’ve composed. Ask yourself: Does each and every line count in its own right? Does it add or subtract from the sensory experience that you envision?
The final step is to marry your lyrics to your music. Keep in mind that this might require you to make slight adjustments to your composition so everything falls into place. Make sure that your lyrics and music make for a perfect match before calling it complete.
When asked about what advice he’d give aspiring lyricists, Jared Artaud once wrote: “…Stay true to your own vision.” Now, use sensory writing to craft that vision into an impressionable force that will flood the minds and touch the hearts of your listeners, viscerally.