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Entries by Ken Dardis (14)

What's Next For Indie Artist Exposure?
Last week I covered online radio’s new royalty rate, which asks all stations to pay the same. It excludes “small webcasters” as a category that receives expensive but affordable lower rates. (I’m about to do inventory at our RadioRow and will let you know the number of dead stations which were alive pre-CRB rate change.)

When Artist Pricing Logic Makes No Sense
Quick story. In 2002 I was making around 600 radio and TV commercials a year. It paid well because I priced at the value of my time and talent. Wednesday Feb182015
![]() Short Songs Tell Stories Too!
Friday Sep062013
![]() Indie Artists: Buying SuccessIndie acts need help. They have the talent but find marketing music difficult. Being a musician, with the internet now being a major highway to the masses, means spending lots of time trying to understand what is required to get your name out. Tuesday Jul092013
![]() Artist's Expectations Need to Change, TooI’ll start with a disclaimer made many times: “I firmly believe an artist should be paid for use of their music, after the artist proves their music is worth paying for.” in
![]() ![]() ![]() ![]() Thursday May302013
![]() New Artist Problem: Music Never Heard
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By anyone’s measure there is no lack of new songs. There’s also a huge increase in the numbers of songs submitted to online radio stations and music services. Both of these are important facts. in
![]() ![]() ![]() Thursday Oct182012
![]() Redefining the "Hit Song"Go to any service that reports “hit songs” and what you read is based on downloads, song sales or spins. How to determine the top spots on a “hit song” list was conceived by major record and radio industry players years ago; with the exception of adding “downloads,” it remains pretty much the same. Major record and radio industry players literally define “success,” and they keep the number of successful music groups low (to maximize profits). The change is this: With an increase in internet music play and sales outlets over the past decade, tens of thousands of quality artists have an ability to reach fans in ways that are not measured. My hunch is that even if there were a universal system, the radio industry and record labels would refuse to acknowledge the numbers. in
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