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Anybody (no really anybody) can contribute anything relevant to this page…All mp3s should be posted on the MTT radio page. If you cannot find your post here, your article may have been moved to the MTT homepage.

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Entries in recording (22)

Wednesday
Mar022011

TrueDIY Tech: How To Build Your Own Subkick™

Welcome to the first installment of TrueDIY Tech! In this do-it-yourself technology series, we will be providing details on how to create your own tools in the studio and explaining the most commonly practiced studio techniques. We’ll also be reviewing new equipment that is priced for aspiring engineers and how to use it to best suit your project.

In the video below, Chris Thomas of Strewnshank Productions explains how to build your own Subkick™ featuring audio examples showing the difference in a drum sound with and without the speaker microphone mixed in.

Click to read more ...

Monday
Feb212011

Musicians Take Note: 3D Is Not Just For Movies!

Remember getting those red and green 3D glasses with comic books back in the day? Now, 3D movies in theatres (and in people’s living rooms!) are the next big thing, and they make the old 3D specs look like antiques.

Likewise, most people with a home theatre setup have their speakers set for 5.1 surround sound, but very few people are savvy to the most immersive, ear-tingling 3D audio format that’s actually even more accessible.

Binaural audio is the sonic equivalent to today’s ultra-immersive 3D movies, and it’s actually been around for ages!

Click to read more ...

Friday
Feb112011

CTRL - How Much Are You Willing To Give Up? 

Control. It’s not an easy thing. Everyone wants it in one way or another, and it can do strange things to people. Sometimes, though, it can be difficult to know how much to seek, and when.

Take, for example, the relationship between artist and the other players in the recording process.  If we look at it from an “assembly line” point of view, the musicians come into the studio, play their parts, and leave.  The mix engineer is responsible for capturing those sounds properly and mixing them.  Then, he/she hands it off to the producer, who plays with the sounds captured and potentially adds new ones.  Once that’s done, it’s handed off to the mastering engineer, and the final product is ready for press.

Of course, this is far from a real world scenario.  Along the way, the artists want to give input into how the record is mixed, produced, and even mastered.  As a guitar/bass/keyboard/percussion player, your expertise may lie primarily in playing your instrument, but as a musician or member of a band, musicianship extends to artistic expression on a larger scale.

This can lead to disagreements, and when it comes time to figuring out who has the ‘final say,’ it’s a matter of role definition and – you guessed it – control.

So how do you tackle this?

It’s important to remember that everyone has their strengths and weaknesses.  Identifying your strengths is often much easier, but it’s the latter that is often more important.  The main role of a producer is to take the songs he or she is presented with, work out an overall ‘vision’ for the album, and make the two meet.  That’s a difficult task that not everyone can achieve, and even MORE difficult to define.

However, if you recognize someone who has experience or expertise in this specific, it’s vital that you allow them creative space to work.  This doesn’t mean allowing them ‘free reign,’ but it does mean that they’re the experts who’s ‘say’ should hold more weight.

That may sound scary, but in reality, it all comes down to trust.  If you chose a producer whose work you respect and trust, you should feel comfortable letting them take the lead.  If you don’t, you might want to re-evaluate your choice.

This applies to other aspects of your career, too.  In general, you should be the leader of your career at all times.  Just make sure that you leave room for others to be in control from time to time, in the areas where THEY shine, and you’ll find that everyone will benefit.

This article originally published here on Your Band’s Best Friend

Learn more about the author here

Friday
Jan282011

3 Tips For Studio Pre-Pairedness

We have all been there, booking studio time then when the day comes we end up working out parts & dealing with issues that should have been taken care of before hand. The clock is ticking in the studio and money being used that could have been saved or used for what it was intended for… tracking the magic.

Here are some tips to make the most use of your studio time:

1. Your Going To The Grammy’s. Practice & Pre-Pair like it.

A. Give yourself 15min to practice each song a day. Don’t burn yourself out, it is important to maintain your sanity and stay focused on the song. Two Times through each song is a good goal. Do this each day for 1 week before the session.

Click to read more ...

Friday
Nov122010

Record Any Vocals Lately? Read This.

Audio engineering and production is an art and one of the most technically demanding areas of the art is vocal recording. Vocal performance recording - on a general level - is taught in recording and engineering programs of most colleges and universities, around New York and California. I learned some useful information from the Institute of Audio Research, however what I am about to share with you came from painstaking hours in the school of hard- knocks.

The human voice is naturally forward and present to our hearing system. And the equal loudness contours show us that we hear the human voice three to four times louder than the greater part of the human hearing spectrum.

This is important because in a musical production, the human voice not only tells the story of the song, by communicating the emotions and sentiment through language and other expressions, but it naturally wants to be heard above all else because of its frequency range. To get the best sounding vocal recording, a producer or engineer must start with the vocal performance.

Click to read more ...

Wednesday
Feb102010

Is Perfectionism Choking your Project's Music Creativity?

Ah, the Inner Editor of perfectionism…we all have one. Some of us know how to keep this guy in a straight jacket but others seem to let him bounce around the walls of our studio, whining and complaining about every detail until he’s left us tired and uninspired. There’s a time and place to let your Inner Perfectionism have the reigns but when you’re first working on a production or creating new music it is not the time. As creative people we all have to learn the mental personality called the Inner Editor and choose to control him and use him what he’s made for: Editing. If you are not editing but actually CREATING then the Inner Editing should be locked in..

Click to read more ...

Saturday
Oct312009

Are you looking to have your CD Mastered? Get a free sample and mix evaluation this week!

Having a great sounding CD is one of the most important things for the success of your music.  Why do you think all the big labels spend $$ on professional mastering?

This is where I can help.  Although I have 20+ years experience in New York City, working with all the majors along with my Grammy Entry Nominations,  I can help you Sound Your Best and it won’t break the bank with my Indie Friendly Pricing.  But don’t take my word for it, visit my website and see what my Indie Clients are saying!  ACMastering.com.

For the next week, you can take advantage of the free mastering samples using my proprietary Heavy Vinyl™ CD Mastering Techniques with a complementary mix evaluation.  You have not heard mastering until I’ve done one of your songs.   

 For the best sound, please use .wav .aif. or .aiff file formats. Don’t put heavy compression, limiting or ‘mastering’ plugins on your mixes because I’ll have no headroom to work with. You can upload mixes here:

 http://acmastering.cutesendit.com/

 I look forward to hearing your music.

 

Wednesday
Aug262009

Make Music, Make Money: Upcoming Artist Development Series

The Rights Workshop Presents Artist Development Seminar Series: Make Music, Make Money

Series runs September 29-October 1, 2009

 

San Francisco — In response to the growing interest in music placement and promotion, The Rights Workshop is hosting Make Music, Make Money, a series of career development seminars for artists, musicians, composers and other content creators beginning Tuesday, September 29 through Thursday, October 1, 2009. Each Make Music, Make Money seminar will be held from 7:00pm to 9:00pm. Seminar attendees will learn about the mechanics of the music business and develop strategies to earn more money from their creative work. In each Make Music, Make Money session, panelists will address commonly asked questions about the rapidly changing music industry in a comfortable, artist-friendly environment.

Click to read more ...

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