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Entries in Displaying the Right Attitude (41)

Monday
Oct192009

What happened? A rant about the work ethic of many musicians

What ever happened to true effort, the desire to learn and develop ones ability? What happened to the problem solvers? What happened to the ones that could look at a problem or at something going wrong and continue on in the mode to make it right or at least better? What happened to the hunger that was followed with the effort to do that extra work, take that extra step or go just a little more above and beyond? When did the laziness set in, the complacency, and when did the expectations grow to the point where some think it should simply come their way and they deserve all they want with as little effort as possible.

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Monday
Oct122009

Cancellations and Rescheduling

So the show got cancelled. Whether it was your fault, the venues fault, the manager’s fault or the weathers fault, it really doesn’t matter. It is strange to me that when something goes wrong, people seem to be much more about figuring out who did something wrong and assigning blame over the much more obvious and much more effective problem solving and doing what you can to make the best out of the situation.

Gigs are going to get cancelled or rescheduled. Times are going to occur when you are going to be double booked. You can take the right steps to organize and track things the best you can, but problems occur and sometimes they just can’t be helped. I have heard bands scream and moan about this booking agent or that manager messing up. Then I have seen the online postings where bands blast venues and then the venues go back blasting bands. This really doesn’t solve a single thing and it keeps you further as well as takes up time you could use to reschedule, take steps to make sure it does not happen again and reach out to your fans and people that were going to come to the show.

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Monday
Oct052009

Drive and determination are far from enough. 

“I will make it in this business because I believe in myself. I have the drive and determination to be a success. Plus, I have great songs and an amazing band!” Hey, while we are here, let’s add, “I’m smart, talented and, gosh darn it, people like me.”

Reality check, people: it takes a lot more than drive, determination, a positive attitude and believing in yourself to make it in the music business. I’m not saying you don’t need those things. They’re helpful, but they are only one small piece of the whole.

Talk is cheap

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Monday
Sep282009

Honor as a musician and a business person. 

All industries have liars and the music industry is definitely no exception. Many people do not follow through on their word; many people lack honor, consideration and professionalism. It’s unfortunate that those who do lack honor—who lie or skip out on promises—grow defensive about their lack of honor when called on it. Instead of righting wrongs or taking steps to modify their actions, they give excuses and reasons why it is okay for them to be dishonorable.

In the arts, as in any other profession, you must have professional abilities and skills, but today, with so many artists going after the same jobs, the same tours, the same records, it takes ability, professionalism and honor for people to call on you and continue to call on you again and again.

Your word, it is that simple

This is not rocket science. In fact, it shouldn’t even need to be mentioned. But honor is an issue. False promises, outright lies, back stabbing and just plain absence is a problem in the industry, but the industry is getting more and more fed up with it. While many superstar names have been troublesome in the past and put up with these days, with the economy, time restraints and other issues, more people are leaning towards working with those who can not only play, but also have the honor to show up, perform, follow through and deliver. Attitudes, egos and lack of professionalism are not tolerated like they used to be.

When you give your word, follow through with it. Honor it. This will lead to more work than you know.

Your actions

When you are booked for a session, a show, anything, be there and be there on time. If you are going to be late, call. If there are things that are going to keep you from fulfilling your obligation or your promise then do everything in your power to remedy the situation with a replacement or some kind of fix.

I am amazed at how people give up with no consideration of the person who has booked them or what ever the agreement or contract situation is. I, for one and I speak for many, do not call people back that flake out, blow off or bail at the last minute. This adolescent behavior is unprofessional, dishonorable and disrespectful. This also makes me, as the producer, look bad to the artist or the client with whom I am working. I don’t care how good a musician is. When they show a lack of respect or consideration for me, the artist and the promise they have made, then I am done with that person.

Things do happen.

Now I am not saying things don’t happen that you can’t control. Car problems occur, accidents, emergencies, etc. can prevent anyone from being able to honor his or her word. When it comes to professionalism, honor and respect, it really isn’t as much about how you behave when everything is perfect. It is about how you behave when problems occur.

When anything, or everything, goes wrong, how do you problem solve? What kind of effort do you put in to rectifying the issue? If you get into a car accident and you are okay, but stuck waiting for a tow truck, are you the type to call and say you can’t make it and leave it at that? Or are you the type who either tries to find another way to get to the session or makes calls to the studio or producer asking if they can call anyone else while you, yourself, are working to find a way to get that session covered?

Your follow through

It comes down to the follow through, and while a solution will not be reached every time, if something has to change or a commitment has to be broken, I know that the person I hired did everything they possibly could to make it right. That is honor. That is professionalism. That is follow through.

You say you are going to be some where = Show.

You say you are going to do something = Do it.

You say you are going to pay some one = Pay them.

Honor your commitments, your promises and your own goals. If something goes wrong, do all you can to make it right.

Too easy. Really!

Regardless of the booking, the gig, the contract, the promise, as long as you do what you say you are going to do or make every effort to resolve an emergency situation, then you truly are a professional with honor in every sense of the word. You want to have a reputation of a skilled, competent professional whose playing matches his or her honor.

Be the person who follows through on commitments, takes care of business and can be counted on when things are going right and even more so when things go wrong. Be the dependable, honorable person. It can make all the difference in the world. When people know they can count on you through thick and thin, your reputation will spread like wild fire but don’t forget, the same thing goes for the opposite as well.

© 2009 Loren Weisman

www.braingrenademusic.com

Watch out for Loren Weisman’s “Realistic Music Careers 101 Seminar” coming to a city near you and Loren’s book “The Artist’s Guide to Success in the Music Business” coming in 2010.

Sunday
Aug092009

A Shilling for Your Thoughts

Shill - somebody who promotes somebody else or makes a sales pitch for something for reasons of self-interest

An accomplice who pretends to be an interested customer or gambler in order to lure others into buying or gambling

I’ve been thinking lately…it’s about this problem I have…it’s one of those “How do I tell a friend that they…” problems.

They and I are pretty active on social networks…and we are all involved in today’s music world. We champion new technology, self determination for artists and creators and giving fans and communities value and memorable experiences.

We know that the day where people could be influenced by paid advertising has given way to peer recommendation and the ability for each of us to discern when we were being communicated with rather than spoken to. Bluntly…advertising is on the ropes, because hardly anyone trusts paid messages anymore.

And herein lies my problem.

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Saturday
Jun202009

Show success before asking for help

From 1990 to 1992 I ran the New York archives at Warner/Chappell Music Publishing.

(The music publishing business gives a cash advance to a songwriter in return for owning half the income generated from their songs. The publisher is betting that the songs will earn at least that much, whether recorded by a famous artist or the songwriter themselves.)

One day, as I walked by someone’s desk, I noticed she had accidently left out the balance sheet showing every songwriter signed to the New York office, their cash advance, and how much they had earned. I quickly took it to the Xerox machine, made a copy, and put it back.

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Wednesday
Jun172009

Shut up! Announcing your plans makes you less motivated to accomplish them.

Shouldn’t you announce your goals, so friends can support you?

Isn’t it good networking to tell people about your upcoming projects?

Doesn’t the “law of attraction” mean you should state your intention, and visualize the goal as already yours?

Nope.

Tests done since 1933 show that people who talk about their intentions are less likely to make them happen.

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Wednesday
Jun032009

How Do I Get Booking Agents To Take My Band Seriously?

The answer to this question is simple, straightforward, but not necessarily the easiest to stomach. So here goes….. Drum roll…..The best way to get booking agents to take your band seriously is…..

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Tuesday
Jan132009

Everyone Is Going To Help You …. If You Know How To Ask A Response To Derek's Post

This is a great discussion and I think we all understand that Derek is not saying NOONE will EVER help you because every single one of my fellow authors on this blog are helping artists in our own way by being here…

Two types of artists: Complainers vs. Doers
His point is if you want to make it you need to be willing to help yourself first and only after that will others help you. I wrote my book based on this and this alone there are two types of artists. complainers vs. doers / negative vs. positive attitudes / builders vs. idlers / artists that are willing to takes responsibility vs. ones who are angry and entitled.

When the complainers call our office we look around at each other with dread… The conversation is demanding and negative “Can you hook me up with a booking agent if I hire you? Will I sell more albums because of you? etc…and their negativity is infectious. We want to get this type of artist OFF of the phone as soon as possible.

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Thursday
Jan082009

Nobody’s going to help you. Does that encourage you or discourage you?

Nobody’s going to help you. It’s all up to you.

Does hearing that discourage you or motivate you?

The reason I’m asking is that a musician friend emailed me two questions last week (December 2008):

How can I find a great/major booking agent?
And how can I find an investor? I need someone to invest $500,000 into my band for radio, touring, recording, videos, PR, payola, etc.

My answer was:

Sorry, but when it comes to this stuff, I think the healthiest attitude is the most cynical one:

There are no great agents that would want to take you on unless you’re already earning $5000 a month gigging, so that their 10% cut (only $500) would be worth their time.

There are absolutely no investors that would invest in a musician now. Even solid profitable businesses with customers and employees can’t find investors these days, (December 2008), so just assume you will not.

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Thursday
Jan082009

Art is An Energy

When talking about the changes in the industry in relation to the world of social media, I often talk about the need for injections of energy to proliferate information, knowledge, awareness of an artist or a piece of music.

The most common energy to rely on is money
- input money and hope that it ignites and spreads. Other energies include excitement (fan energy is a great one for spreading the word, and that excitement multiplies the closer the fan gets to the artist…) and shared narrative (people who relate to the stories in your songs, or to your story are likely to use it to tell their own story - whether that be a love song or something more spiritual/motivational).

But it’s really important to remember that ‘art’ and ‘creativity’ are energetic forces. There’s been a lot of talk on here of late about house concerts, and what’s vital to grasp about the house gig scene is that nobody’s in it to get rich. There are no fights with promoters over cash, no dissappointments over low bar takings, and much lower running costs…

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Tuesday
Dec232008

Want To Be A Great Musician? Act Like A Great Engineer

In his classic book Reality Check, Guy Kawasaki summarizes the advice of Apple co-founder Steve Wozniak on how to be a great engineer:

1. Don’t waver
2. See things in gray-scale
3. Work alone
4. Trust your instincts

When I read this the other week, my first thought was that this is also great advice for musicians as they navigate the creative process.

Don’t Waver
I know some very talented musicians who, despite writing and recording constantly, really struggle to complete any of the projects they start. They have a wealth of talent but little work to show for it.

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Thursday
Nov202008

Are people asking themselves questions about you?

Questions need answers.

Don’t underestimate the power of curiosity. Once you get people to start asking questions, they need to know the answers.

In the book Stumbling on Happiness, Harvard psychology professor Daniel Gilbert did an experiment:

  1. he handed out a short quiz on common-life topics
  2. before taking the quiz, everyone was asked whether they would prefer a candy bar at the end, or to know the answers
  3. everyone chose to receive the candy bar
  4. then they took the quiz
  5. after the quiz was done, they were given the choice again: candy bar, or know the answers?
  6. everyone chose to know the answers, instead (giving up the free candy bar)

Conclusion of the experiment : once people have asked themselves a question, they can’t stand not-knowing the answer.

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