How To Find Your Music In China

There is a possibility that your distributor or label might have at sometime distributed your music in the past to China and it is now floating around somewhere out there. This search will find if your music is there, it may be just a catalogue list with no sound file or it may be that it wasn’t properly removed when you changed labels or distributors and was left with no one to claim its license. If you do find your music in the search to your surprise, then you may contact your current or previous label or distributor to claim the licence or you may inquire a distributor like Musicinfo who specializes in digital music distribution to China to help claim your music.

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Call To Action: DotMusic Looks To Fairly Administer The .music Domain With Safeguards

We are about to enter into the world of the .music realm, as the domain will soon be available for registration for the first time.  In other words, www.[yourname].music will soon become a possibility.  Constantine Roussos, the leader of DotMusic, is leading this charge. DotMusic wants to be the neutral administrator of the distribution of these domains.  DotMusic’s goal: to clean up the online music community by allowing music artists, music professionals and music companies to claim the domains that are rightfully theirs.

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SoundOut, TuneCore Track Smarts, ReverbNation Crowd Review, AudioKite, and Music Xray Compared

This is the story of a mediocre song. An objectively mediocre song. My song. Curse you, data!

If you’re looking for unbiased feedback on your latest track, you’ve got five options. Well, five-ish.

There’s SoundOut, which I wrote about way back in 2010.

Then there’s ReverbNation Crowd Review and TuneCore Track Smarts, both of which are powered by SoundOut.

Are all three SoundOut services the same? We’ll find out.

I reviewed AudioKite earlier this year, gushingly. A new and improved version launched just this month.

Finally, Music Xray offers a diagnostics feature, which presents your track to 5 music professionals and 20 potential fans.

Which is right for you?

Time for a good old-fashioned market research shootout!

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What Artists Should Know About Next Big Sound

Perhaps you don’t sell too many albums on iTunes, or have that many SoundCloud plays or YouTube views. But maybe, just maybe, your music is really popular in some far off corner of the digital universe you never even knew about, and all that “exposure” you’ve racked up over the years is paying off behind the scenes.

Next Big Sound provides detailed online music analytics to measure the growth of bands on streaming services and social networks. It doesn’t cover everything, but it casts a wide enough net to shatter an artist’s dreams with cold, hard data. I know it did mine! <sniff> Cidney at NBS agreed to give me an artist credit for one month so that I could write this article, way back in April. Hopefully she’ll forget to downgrade my account.

Features

The screenshot above shows a dozen “key metrics” of my choosing. It’s an easy way to focus on what’s important to me, and not get bogged down in all those numbers. So for example, I could replace Rdio plays with Vine loops, Last.fm shouts, or unique pageviews of my website.

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What Artists Should Know About ArtistLink

ArtistLink started as an extension of the Topspin Media platform, so that non-Topspin users could add content to the MTV Artists site. It’s well on its way to becoming the control panel for the music industry.

I encourage any artist with a release on Spotify to sign up for ArtistLink. All essential functionality is free. As of this writing, ArtistLink is basically four services rolled up into one. I’ll go over each, starting with the coolest.

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YouTube's Dirty Little Secret

Ever spotted a terrible video on YouTube with an inconceivably high view count? Of course you have. Would it make you feel better knowing that most of those “views” were completely automated and only lasted 30 seconds with the sound turned off?

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Bandzoogle: “Your website should not be a blog”

Bandzoogle is one of the most effective platforms for musicians to build their website and manage their direct-to-fan marketing and sales. Their platform is one of oldest web hosting tools available for musicians and I have created a few websites through them myself.

Bandzoogle sites are very easy to create, stylish and they come with some great built-in features.The service is free to try, and offers affordable monthly subscriptions plans, with great customer service. Below is a brief Q/A that I recently had with Bandzoogle’s CEO David Dufresne.

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What Artists Should Know About Headliner.fm

Headliner.fm is a platform for trading recommendations with other artists on Facebook, Twitter, and MySpace. You “buy” recommendations using a virtual currency called band bucks, which can be purchased outright for real money or earned by recommending other artists.

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Why I Still Use Jango

Jango offers free Pandora-style internet radio. Type in an artist’s name and it generates a playlist of related songs. Jango Airplay lets artists buy their way into the recommendation engine, promising guaranteed airplay alongside your pick of big names.

I’ve been running Jango campaigns pretty much continuously since the service launched in March of 2009. My songs have been played 270,000 times, 23% of which were unpaid “organic” plays. It cost me $1841.50 out of my own pocket, plus at least that much in affiliate earnings from my previous articles on the topic. What’s my return on that investment? There’s no way to know. Jango reports 25,000 likes and 9800 fans, but those terms have little meaning. A like on Jango is a simple thumbs-up that has nothing to do with Facebook, and most of those “fans” are unreachable. An average of one email address per day has been shared with me since that feature launched in early 2010, but those 700 email addresses alone don’t justify the expense. The reason I stick with it is because I’ve seen so many Jango listeners become genuine fans. They friend me on Facebook, reply to my email updates, comment on my YouTube videos, and yes, buy my music. With the possible exception of Facebook Ads, I’m convinced Jango is the best passive promotion out there.

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What Artists Should Know About ReverbNation's Promote It

Running a Facebook ad campaign is confusing. You bid for ad placement, but the price you pay bears little relation to your bid. What’s the difference between reach and social reach, connections and clicks, CPC and CPM? More importantly, is there any way to tell how many people played, downloaded, and shared your song, or signed up for your mailing list? (answer: no, there’s not)

ReverbNation’s new Promote It tool addresses those shortcomings, and then some. You pick a song, photo, and budget, and it automatically generates dozens of optimized Facebook ads based on past Promote It campaigns, and continually optimizes your campaign based on the performance of those ads. New fans click through to customized landing pages that track not just clicks and likes, but plays, downloads, shares, wall posts, and mailing list signups. As I’m quoted as saying in the press release, “It’s the ultimate ‘set it and forget it’ fan-making machine!” I was invited to try it out and provide feedback during the beta period, and I’m flattered that some of my suggestions made it into the final product. So far I’ve run six campaigns. Let’s walk through the creation and performance of my latest and most successful one.

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Don’t Forget to Buy the Domain for Your New Album

So much of what I write comes from my life experiences; either having worked with bands or from my being a fan and consumer. Life is full of many great lessons. Here is a lesson that hit me over the weekend.

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Musician's Arsenal: Killer Apps, Tools & Sites - Onesheet

Welcome back to Musician’s Arsenal! In this edition, I’m very excited to be presenting Onesheet to you. Onesheet is a very easy and effective web presence solution for musician’s struggling to create an attractive website. For those of us who can’t build a nice WordPress site to save our lives, Onesheet is here to save the day (while I don’t want to give the impression that creating a Onesheet excludes you from needing a website, this is a fantastic option that can take care of your web presence needs while you build a website the right way).

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Make That Five Tips for Your Domain

Hypebot posted a nice article with three tips about your own domain. Good tips. But I want to add two more tips that I think are even more important and come from my personal experience working with many clients.

1. Auto Renew – Set your domain to auto renew. Just do it! I promise you will not be sorry. This means that when your domain expires it will automatically be renewed, with no interruptions. I have had too many experiences with clients, large and small, who did not auto renew their domain and did not notice the emails being sent to them to alert them to the need to renew. One day somebody notices the website is down and the panic begins. The scramble begins to quickly get the domain renewed and back online, in the meantime your site is down and often replaced with a generic page. This leads into tip number two.

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How Can You Drive Your Fans From Offline to Online?

To get someone to visit your band’s website, they need to have the intent to do so – put in other words, they need to get something out of it for it to be worth their time, which is why “check out our website” is about as effective as saying “we don’t have a website” as there really is no incentive offered for them to do so.

However, assuming you’ve got that one covered (ie. you have some free downloads,  or some awesome photos of your crowd from last nights gig, or maybe even some exclusive videos etc.) here are some techniques to get them to view that content from offline.

Here I’ve suggested five effective methods to take your fans from the real world to the virtual world of the net. Please chip in with your best tips on driving fans online from offline in the comments beneath this article!

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