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Entries in Sound Engineering Techniques (19)

Friday
Apr292022

Tips for Recording Percussion on Acoustic Guitar

How do guys like Antoine Dufour, Andy McKee, and Jon Gomm get those crystal clear and snappy drum sounds from their guitars?

Well, keep reading this post to know the secret!

These are 4 tips that’ll help you get a super-crisp percussive sound from your acoustic guitar.

1. Invest in a Great Microphone

If you’re going to mic your guitar, then the majority of the sound will be determined by the quality of the microphone itself.

Something like the Rode NT-USB or AKG P170 is an excellent microphone for the price. Andy McKee likes to use the Rode NT4, and if it’s good enough for him, it’s good enough for all of us.

A bit more costly option would be the Neumann KLM184 or any small diaphragm condenser mic. A steeper investment when you’re starting out, but you get much tighter bass and shimmery highs.

Cheaper mics like Zoom and Tascam can definitely work, but they won’t be able to reproduce everything as well as the Rode or Neumann. Slaps might sound fine, but body drumming won’t be as boomy.

2. Decent Pickup and Preamp

If you’ll be using a pickup, you should invest in a good one. If you own an entry-level or mid-range instrument, you should consider replacing the pickups and preamps on that baby.

I really like the K&K Trinity Pro Mini system. It picks up percussion effects from the entire body. But DiMarzio, Seymour Duncan, and Fishman also make great pickups.

3. Get an Awesome Guitar!

I think it’s obvious. A cheap knock-off won’t ever sound like a well-built acoustic guitar from a decent brand.

Taylor Guitars are extremely popular among percussive guitarists. Their Grand Auditorium shapes produce a balanced sound and respond well to percussive hits on the body.

But those aren’t the only good ones out there. Yamaha, Martin Guitars, Takamine, and Breedlove are some other great brands for acoustic guitars.

4. Polish your Percussion Skills

You’d be surprised at how much the quality of your recording changes with the proper technique and skill. Make sure to learn basic percussive effects: thump, snare-drum slap, kick drum, hitting the sides, and tap harmonics.

Once you get familiar with these building blocks, move on to practicing some riffs or short sections from your favorite songs.

Here are some easy percussion songs for guitar I recommend starting out with. Once you learn them, gradually move your way up.

Percussive fingerstyle guitar is unlike any other guitar style and is something that’ll let you expand into unimaginable territories with guitar.

 

Thanks for reading!

 

Until next time,

 

- Pranshu

Harmonyvine

 

Tips for Recording Percussion on Acoustic Guitar

Monday
Aug032020

How To Transform Your Spare Room To A Music Studio

With the advancement in technology, song recording is a common phenomenon in the modern environment. Both the young and old enhance their singing talents in the confines of professional music studios. These require increased finances as the musicians have to pay before using them. If you are interested in music production or recording that is budget-friendly then you can use the following tips to make your dreams come true by converting your spare room into a home music studio.

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Thursday
Jan092020

5 Tips For Improving Your Home Sound System

If you have a sound system for your home, there are ways that you can improve the sound quality so that you’ll be able to hear your favorite music with greater clarity. Some of these improvements won’t require you to invest in other equipment pieces and can still make a big difference in how you hear. By following these five tips, you’ll be able to take your listening experience with your home sound system to a whole new level.

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Thursday
Jun272019

How Working In Surround Sound Affected My Stereo Mixes

Guest post by Stephen Bartlett. This article originally appeared on Soundfly’s Flypaper

We all know the saying: “A picture is worth a thousand words.”

For me, when I’m mixing a track or an album, I feel like I’m painting a three-dimensional picture. Using panning, frequency sculpting, and volume adjustments as my tools, I’m creating something that will transport the listener somewhere else in space and time (which is why I love music so much). So surely, this three-dimensional, transformative picture is worth like ten thousand words!

Of all the memorable lessons I’ve been taught over the last 15 years, I think learning to mix in surround sound has helped me paint that picture as vividly as possible, each and every time. Here’s why.

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Thursday
Jan052012

Music mixing tips 

Mixing is where it all comes together whether you are a band or electronic musician it is an important stage. As a band you you might mix during a separate session with some other band members or as an electronic musician you may well mix as you produce a track. In any event some useful tips follow for getting an improved mix down.

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Wednesday
Dec072011

The top 5 reasons your band should record binaurally

Binaural recordings are reproductions of sound the way human ears hear it – it’s the purest, most natural way to record and listen to music.


Binaural recording is perfectly suited to indie, pop and rock music – and here’s why you should be planning to take advantage of it on your next record.

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Tuesday
Nov222011

Learn How To Mix In 3D: Steve Hillier Tips on Mastering Reverb

Master the use of reverb and your lifeless, two-dimensional mix will become a three dimensional panorama, says Steve Hillier.

Things that people do wrong with their music:

1. Write a composition starting with the drums. This is madness. Can you imagine Lennon and McCartney waiting for Ringo to set up his drum kit before writing their next Beatles smash? Obviously not.

2. Compress everything. At least twice. Anyone doing this in their mixes should stop now. Modern DAWs have an internal dynamic range that’s comparable to a pin dropping versus the sound of the big bang. Try using it, rather than squashing your music to the flatness of a pancake being sucked into a black hole . Compressors are like guns…only the sane should ever pick one up.

3. Use reverb badly, or not at all… Unlike compression, everyone likes reverb. How can I say this with such confidence? Because nearly everything you’ve ever heard has been covered with reverb. Everything. Reverberation is what you hear when the sound from an event, such as a gun shot, bounces off a reflective surface, such as a wall, and then into our ears. It’s a fundamental attribute of how we experience sound, and our brains have evolved to use the information contained in reverb to help us survive in our everyday lives. If we’re hearing lots of sounds with long reverb tails on them, that suggests we’re in a large room, such as a church. Lots of short ‘early reflections’, we’re probably in a small room. Everything we hear has some reverberation on it before it ends up in our ears (we’ll ignore scientists who work in anechoic chambers for today).

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Thursday
Oct202011

Tech: The Importance of a Recording Timeline

We’ve all been there. The drummer overslept, the guitarist is late, and the bass player has to leave early to hang out with his girlfriend. None of us enjoy being in this kind of a situation, and that is why having a planned out recording schedule can help improve session flow and save you time (and money). Assuming your band is well rehearsed and prepared for their recording session, there are several steps you will want to take to prevent the session from coming to a screeching halt. The key factor to preparing for a productive recording session is a Session Schedule.

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Wednesday
Aug312011

Kill Your Plug-ins and Up Your Music Production Skills

I love the fact that my sample library is enormous, the presets are wide, varied and bountiful, like Harrods at Christmas time. I can press just one key and a whole world of beautiful sound comes pouring out of my monitors, and every time I use it I always think; ‘wow, I could do something really interesting with this’. And then I don’t. I might spend a few hours mucking around with Omnisphere, but when it comes to working and finishing my projects, I don’t use it. And that’s nothing to do with Omnisphere itself, there’s nothing wrong with it, I genuinely think it’s the best software synth yet devised. But it’s vast; I haven’t had the time to get to know it well at all.I find I always return to the instruments I know well to get the job done.

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Wednesday
May112011

Recording: Getting it Right at the Source

How many times have you heard this saying? It’s almost gotten to be a cliche around the recording blog world these days. It’s something, however, that I believe needs repeating. And it’s one that I am constantly reminding myself of in the studio. It’s amazing how many questions I’ve received from friends and colleagues about what kind of mics I’m using. Of course, the recommendations follow: “Oh man, you should try the enter mic of choice here on your kick drum – best mic money can buy.” Or how about, “Hey man, what’s the BEST microphone for recording vocals?” Have you fallen into this trap? I know I have.

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Tuesday
Mar082011

A Mastering Engineer's Guide to Final Mixdown

“Garbage in, garbage out” is a common saying among mastering engineers. The quality of the source material limits the quality of the final product. Most of my clients have no problem following my simple preparation instructions, but they stop there.

They figure once each mix sounds as good as they can get it, they’re done. In fact, there’s a higher level of refinement that pays huge dividends. I’ll break it down in this mastering engineer’s guide to final mixdown (which I promised in an interview back in January - sorry for the delay!).

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Wednesday
Mar032010

Rock Band Network authoring best left to the pros

After 45 hours of work over six weeks, my song is one of the 118 approved to be in the RBN Store when it launches. My last article laid out what it takes to get your song in the game, namely a deep skill set and lots of time. While I managed to clock in well under my 60-80 hour estimate, I had a considerable head start. Knowing what I know now, would I do it again?

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Tuesday
Jan262010

Rock Band Network for Dummies?

A few weeks ago, Kevin English of eleetmusic got me in to the closed beta of Rock Band Network, which provides the necessary tools to get your songs into the game. When it launches, the RBN Store will sell those songs through the game’s interface, with 30% of the purchase price going back to the artist. Now that the beta is public, you may be eager to dive in, but let me warn you - it’s a lot harder than I thought it would be! Authoring your first song requires a deep skill set and 60-80 hours of focused effort.

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Thursday
Sep242009

Set lists for the sound man and sound woman.

Do you ever find yourself wishing the soundman knew your songs or your music a little better? Telling yourself if he only knew about this dynamic or that change, or that you mean to make this horrible screeching sound that should not be compressed. Maybe you wish the monitors could be turned up at a certain section or maybe if there is a light guy to have him cut the lights right at a big accent.

You have seen it in larger shows where everyone just seemed in sync and you long for that, even if this is the only night you are working with a given soundman, monitor engineer or lighting guy.

The forgotten notes

A lot of artists will come up to a soundman and, before hitting the stage or during a sound check, barrage the soundman (or woman) with a series of verbal bullet points. More often than not, these are immediately forgotten, especially when there is a night where you are on a bill with a number of other artists. Your information will surely fall through the cracks and be history.

Then on the other hand, there are those places where the sound guy is going to get a linear level line just making sure that nothing is feeding back and everything can basically be heard. You are not going to see those nuances at that show. But, if you have the right venue, the right crew and the right information, you can take your show up a notch.

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