October 24, 2011 What You Need BEFORE Leaving the Rehearsal Studio
In a word: AWESOMENESS.
As an indie I go to a lot of local shows. I want to find and network with other bands, make friendships, and help support my scene. Some bands are great, some are good, and others are…’eh’.
The really great bands are firing on all cylinders. Great live show, great recordings, great merch table. The other bands always seem to be lacking in certain areas.
If the live show is THE most important thing for a band, then I think there are certain aspects, certain ‘Standards of Excellence’ that a band MUST achieve before stepping outside the rehearsal room. We just cannot afford to suck anymore, at all, no compromises. That doesn’t mean that you need to be perfect: to play a million notes a second, or whatever. Not perfection, just a commitment to excellence.
Here are a few Standards of Excellence I feel every band should consider the bare minimum before starting to gig regularly, if they expect to get results that is:
1. Tightness – the band must be tight tight tight. This falls mainly, I believe, on the drummer. There can be no wavering of the timing. Think ‘human metronome’, even if your music is very relaxed and you are playing behind the beat a lot. Once the tempo is set, you MUST NOT WAVER! The only fix, I believe, is to practice with a metronome 80% of the time, and 20% off. Of course, ALL the musicians must know their parts. My personal standard is that each member of the band must be able to play the entire tune, correctly, alone, without a recording or a metronome, from memory. You cannot fail if you have it down like that.
2. Pitch – Point blank, if you are singing, you must NOT be pitchy. If you are, then figure out why and fix it. You don’t have to be a musician to know when you hear something out of tune. Believe me, the audience knows, and no matter how much they love you, their ears and their brain are saying, ‘PLEASE MAKE IT STOP!’. If it means you need to get yourself some vocal lessons and/or in-ear monitors, DO IT! Backup singers as well. Guitarists, there is NO EXCUSE to be out of tune. Tuners are cheap cheap cheap, compared to losing all that merch sales because you were playing out of tune. Make sure your bending is accurate, that your vibrato is controlled (and please, SLOW DOWN YOUR VIBRATO), and don’t press the strings too hard and make them go out of tune. If your instrument won’t stay in tune, get a new one (not a used one, a new one from a bonafide music store). Change your strings often, at least before each gig. Yes, I know they cost money, but you will lose money just because you couldn’t spend $5 on a good set of strings. Drummers, PLEASE TUNE YOUR DRUMS…yes, we notice when your drums are not tuned.
3. Image – The first thing people know about your band is your name, and perhaps a photo of your band. These two aspects speak volumes about you before they ever hear your music, online or live. This is branding stuff. You are always communicating a message to your audience, live or digital. You must use that to your advantage and form an image that helps people get interested in you and your music. Some bands keep names when they should change them. They are not serving the band because they are not communicating what the band intends. Change them to speak a message, to entice people to want to listen to your music. And, of course, there’s your image. I’ve seen SO MANY bands hop on stage in street clothes or work clothes, not putting any effort into it. ‘Let the music speak for itself’ is not what the pros do. They pick their clothes carefully to form an image that says something about who they are and what sort of music they play. Be willing to make whatever changes necessary to form a congruent image of your band, speaking your message to your current and future fans, about who you are, and what sort of music they can expect to hear from you, live and digital.
4. Performance – If you are just going to play tunes, then don’t gig. Put a CD player on the stage, press play, and there you go. Your live performance must not be a bunch of deadish, stone faced, statues on the stage. Live performance is a VISUAL and AUDITORY experience. Work on it! Please!! Not talking choreography, but move around, and INTERACT with people. Create moments. And don’t just play a set of songs and then walk off the stage, do something fun and interesting, something you can’t get from listening to your CD. You should know exactly how much time you have on stage, and you must use that stage time wisely. You should not be trying to cram in as many songs as possible, play less songs and create more moments instead. I’ve seen bands that ask the engineer “how much more time do we have? Do we have time for a song or two more?” That is not pro. A Pro band will never do this because they’ve known for months exactly how much time they will have, and will rehearse a show, from beginning to end, for that time amount. Everything will be planned out, including that extemporaneous jam with the guest guitarist from another band. At this point, I will defer to the master Tom Jackson because all this is really his material. Buy his DVDs and live them as gospel.
5. Merchandise – Your merch table should NOT be a piece of cardboard written on with a price list with stuff strewn about. It should be enticing, visually, so that people come and hang out there awhile. Mob mentality is that if something is going on and a group begins to gather, then more will come by. If some start buying and ask for autographs, then others will do the same. Your merch booth is your storefront and should not just be “the place you sell stuff”, but a meeting place off stage, the place where you hang out to meet and talk to people and get photos. Get a table cloth at the bare minimum; put some action on the table, lights, etc. One band I saw recently had a fold out Plexiglas case with their merch in it, like a department store, with light rope around it, and a computer screen with their web page, e-mail sign up form, and a video running in a loop. EVERYBODY was talking about how cool it looked and drew a lot of people to it. Only problem was, there was NOBODY WORKING THE BOOTH!!! They set up this awesome thing, and I actually had to pull the singer over as he was walking by to buy a CD from him.
6. Professionalism – Don’t be a ‘rock-star’, please. Nobody has time for it. This is your gig, you are responsible for doing all the prep work and marketing to get people to the show. DO NOT BE ON TIME…BE EARLY. Be respectful of everybody at the gig. Do not break your merch booth down until the last attendee has left. Give before you receive. Help people out, they are all trying to make this their living too. The more you are professional and desire first to help others achieve their goals, the more ready they will be at wanting to help you out. Go to other bands’ shows and support them. Help out the new guys and get them an opening slot on your bill. More doors will open to you just by showing up and seeking to serve first before taking. And, be personal with people in the biz. Not everyone wants to think music all the time, they really want cool friends to work with. Be a good friend and it will be returned to you.
7. Recordings - This is one area that you cannot afford to compromise. Listen, if you can produce a great recording, a recording that is broadcast quality, ready for readion, in your basement….God bless you! But if you can’t, if it doesn’t measure up, then DO NOT REALEASE IT TO THE WORLD. I’ve heard some awesome bands live, and gotten their CD, listening on the way home…and it SUCKED big time. Am I going to go back to see them live….eh, thinking about it, but probably not. Am I going to tell all my friends about this new band…eh, probably not. Yes, getting a pro level recording is expensive, so the lure is to buy your own gear and DIY. Well…you have to then ask yourself, ‘do I want to be an artist or a producer?’ If you can do both and be good at it, again, more power to you. But don’t fool yourself. One of the primary means of marketing for any band, signed or unsigned, is word-of-mouth recommendations. That means file sharing. You actually don’t want, you NEED to have people like you so much that they rip your CD and share all the files with their friends. There is no better marketing than this. If your recordings suck, they will most likely NOT pass it on to their friends, and if they do their friends will probably not like it and not forward it on to their friends. Again, I know it’s expensive, but realize that if you want to make money, you have to spend money. You need to invest serious cash if you expect to make serious cash. A friend of mine, once he got a producer and bit the bullet, actually got his music on Billboards Jazz charts. NO JOKE! Like…the next CD, radio spins (which also cost a lot of money for a radio promoter). No compromises, your recordings must be HOT or your fans will turn cold.
I know some of this material might be old hat to some, but the fact that many bands fail on these points tells me that we all might need a refresher. I pray that you sell a million CDs and go full time soon.
Marq-Paul LaRose is an instrumental rock guitarist out of Baltimore, MD. Currently in pre-producting on his first solo CD currently entitled “Ride of Your Life” with Nashville produer Eric Copeland. www.marq-paul.com
Going on Tour, Live Music tagged Gigs, Live Performance
Reader Comments (17)
Saying you have to get a NEW guitar if yours doesn't work great is BS. The new Gibsons arent as good as older ones. Also there's MIM vs MIA fender guitars, etc. I just bought a used road worn telecaster, and yeah it needed a lot of work but it was worth it over the other teles I tried. If you snag a great vintage guitar on craigslist you're miles ahead of some sucker buying a stiff new guitar.
Also, a lot of this I disagree with. If my band didn't get a crapton o gigs before we were "perfect" we wouldn't see our skills improve quite as much.
Spot on. The nuances of what you've written will be different for every band but the heart of what you've written is exactly what I've been preaching to my clients. Well done.
No offense but "go to other bands shows" doesn't work if you play 5 nights a week, which you should be doing because a lot of the stuff you mentioned takes care of itself along the way.
A good article. The best advice I was ever given from an industry professional was, "Make sure your talent is undeniable." That has stuck with me and I always make sure to bring it 110%.
Mister Marq-Paul LaRos, what a graet article! FFWD it to all my music friends, thx a lot! Love the 'Tightness' part coming down to 'the drummer' lol, he's gonna scratch his head twice now for sure.
Thanks for a great post Marq-Paul.
This effort is what music fans really appreciate. Make it easy for your fans to love you! Follow these tips and you will stand out from the crowd.
Good luck with your first solo CD. I'm sure it will be good!
Eliza
The Fan Formula
Love this article. Followed these steps with my band and found a lot of success and even better lots of loyal fans. You can't make it anywhere in this business without fans, and it is amazing what spending a little of time talking to atleast one fan at the end of every show. We did this our first tour, and the next ended with that fan bringing 2-4 new fans. Then the 3rd and 4th time those new fans would bring more new fans. As far as being tight, with technology these days, it is very easy for bands to bus their tracks that can't be played through there music to an iPod and pan them to one side then have a click track panned to the other side. You can split the sides and only send the backing tracks to the front of the house and have the full mix click track and backing tracks sent to in ears from the mixer to your drummer. Once my band did this every show was terrific.
The suggestion that a guitar that won't play in tune should be replaced, is nonsense. A new guitar won't necessarily play in better tune than does an older one. The question that must be answered is WHY the guitar won't play in tune, old or new. It might just need a proper setup and/or nut slot adjustment. It might have worn or improperly dressed frets that should be replaced. It might have a bad set of strings, either because they're worn out, or because they were bad to begin with. (It happens, once in a while.) A bolt-on neck might need tightening. The pickups might be too close to the strings, distorting their vibration and therefore, pitch.
There are lots of reasons a guitar might play out of tune, but replacing the instrument might just be an expensive way of trading one set of problems for another. Mr. Larose needs to do his homework!
And changing your strings too often is a waste of money. They're typically overly bright for the first few days, anyway. Change 'em if they sound dull, or if they begin to have intonation problems. Otherwise, just keep a spare set in your case, and save your money for some energy bars!
Well Done!!!
Professor Pooch
Music Business Career Guidance
www.professorpooch.com
I'm going to have to agree with the first post about new guitars. When you buy a new guitar the wood has not had a chance to settle. Even the most expensive and best new guitars will not really start holding good tune for about a year. Where as a good 20 year old guitar the wood is rock solid and the guitar can actually drift back in to tune after being knocked out. I kind of thought this was fairly common knowledge among guitar players.
Useful info!!
Locked tempo? Sort of...
For a band to be tight, they need to be solidly locked together and rock solid steady. Changes are clean, punches tight - everybody in one moving machine.
Really good musicians and songwriters actually uses tempo changes within a song for effect. Picking up tempo a bit in section changes for a build, Zeppelin did this; and dragging down to slower and slower endings as Hendrix did.
But tight? That is an absolute to be a top band.
WOW, great replies. I'm happy that I was able to put this together!
As far as the guitar comments, I agree with everything people have been saying. I didn't go into more detail because the article was already very long. So for brevity, I left out a lot of what you are saying.
Absolutely, try to fix your guitar if it has tuning problems. Set it up right. Of course, a nice used guitar is a great choice.
The point I was trying to make is simply that, no matter what, do NOT let tuning problems ruin your performances or recordings. I tune my guitar every 2 or so takes and between almost every song when playing live. That might be kind a anal, but I never have to be concerned about it effecting the performances.
So, yes, if after all your efforts to repair the guitar, new strings, etc., that beast will not be tamed...no question: replace her. I've had an Ibanez that had a worn out Floyd Rose tremolo in it. It would stay in tune as long as I didn't use the trem. No good. I ended up having to replace the trem and sharpening the edges. In the meantime, I got a replacement guitar until my baby healed. Couldn't afford to be out of tune.
I suggested the new guitar from a store because they generally come with a warranty. They will fix any problems for you and set it up right there. Any issues, there is no time or worry wasted on the thing., just return it. With used stores, the warranty is extremely short and there is no warranty when buying from a person.
Again, I'm glad you are getting a lot out of this article! Thanks for taking the time to read it. I hope it helps us all make better music and longer lasting careers.
Marq-Paul has my compliments on an exceptionally well written article!
He has managed to communicate vital information in a language that the audience (his fellow musicians) can understand.
Personally, I would like to see more of this kind of plain spoken, check list style of "this is what you need to do to lay the foundation of success" at a grass roots level.
Success comes from getting all the parts work together. Most new artists are too focused on their music (which is critical) to even be aware of what these parts are, much less how they all add up to a foundation that can be built upon.
It's hardly worth mentioning, but all of this talk about where to buy a guitar seems to me to be a distraction from the main point that you need to be able to play (and sing) in tune.
Congratulations to both Marq-Paul and Music Think Tank for getting it right and providing this vital information.
A very interesting read! I don't play as many gigs as I used to but I never stop learning and I enjoy other peoples views on how to continually improve and achieve that "standard of excellence" - great post!
firstly download my e.p
http://www11.zippyshare.com/v/9256769/file.html
Anyways more importantly this is solid advice esp about the recording part. paying money for a good recording is crucial esp given the internet now. People wanna access your music all the time, so it crucial it sounds solid. the consumer shouldn't be able to fault it.
and in terms of playing live even at beyonce r kelly or kayne west level u cannot get it perfect but i feel that u just gotta get out their and gig as much as possible. do little shows open mic nights even talent shows. and progress slowly. as you get better you will do bigger shows its that simple
Great post. Totally understand about the guitar/brevity thing. We're touring soon, and this will help.
Thanks, Marq-Paul!