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Entries by Corey Crossfield (7)

Wednesday
Nov132013

The New Napster: Mobile File-Sharing

As the rise of mobile messaging apps take over the current mobile user population, the ways fans interact with music are changing. Historically, file-sharing takes place over the desktop computer through a P2P software such as BitTorrent. The user opens the music files into iTunes and they have expanded their music library for free.

Many mobile users are starting to figure out how to download music through mobile messaging applications and their smartphones. Transitioning from desktop file-sharing to mobile file-sharing will take a bit of time for users to catch up but the new Napster is already out there.

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Monday
Oct142013

The Future of Music Marketing: Direct-to-Device

Digital marketing has only been in its current form for the last decade. Despite the application of digital marketing within various industries, the majority of initiatives and campaigns have focused on the idea of direct-to-consumer (or within music as direct-to-fan). The focus lies solely on cutting out the middleman and reaching consumers directly.

The current conventions of digital marketing within the music industry focus on basic direct-to-consumer tenets but these ideas are now beginning to become obsolete. With the rise of hardware-focused technology such as the smartphone, the relationship between an artist and fan is facilitated through their devices.

The new way to reach fans will be direct-to-device.

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Monday
Oct072013

Apps Are The Future of Music

Applications (more affectionately referred to as apps) are the future of the music industry. Notable failures within the last few months, such as Jay-z’s Samsung fiasco, are just a few in a world of apps that are helping to change the music landscape. By taking into account the changing technological landscape, the industry can take note and this time around embrace technology instead of trying to pummel it.

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Wednesday
Sep052012

Where Has The Music Loving Feeling Gone?

As technology becomes an ever increasing part of our daily lives, the way we interact with the things we label as entertainment evolve as well. Whether substituting regular cable for Netflix or curating a coveted music playlist with Spotify, the consumer is consciously changing the way companies market to them. With the focus of most marketing initiatives shifting from web 2.0 to the era of data collection and mobile, it should be noted that most marketing initiatives and the archaic ways we try to get fans or consumers to engage with the product should follow suit. It’s no longer okay to just have a Facebook page where posts are made on a somewhat normal basis or a Twitter account where a tweet lives for thirty seconds. The shift to mobile and data collection has seen an increase in how fans want to be not only engaged with but to have the content of engagement be compelling. 

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Monday
Jul092012

Mobile Engagement With Applications

My relationship with my Blackberry is one of the most consistent and rewarding ones. I rely on my mobile device for operating nearly every aspect of my day from getting a map to my destination or texting my friends to let them know I will be late. Mobile devices govern many different aspects of a consumer’s life and interactions with the world they surround themselves with.

Because there is such an intimate bond between consumer and their mobile device, the mobile environment offers a new and exciting way for artists to engage with their fans. Fans interact with many of their social networking environments from the website’s native application to their device. With access portals for fans rapidly evolving with advances in technology, it is up to the artist’s to include these mobile engagement tactics in their digital strategies.

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Monday
Apr302012

Why Mobile Apps Matter For Music

Mobile phones can be considered either an asset or a hindrance depending on whom you ask. At one point, mobile phones were only available in brick sizes reminiscent of the scenes in A Night At The Roxbury. Fast forward to the present day when mobile phones dominate nearly every facet of human behavior. They have disrupted how we communicate with one another, how we function in a work environment, and how we choose to spend our free time. You can’t walk by a crowd of people without seeing someone typing on their Blackberry or iPhone. With the amount of impact the mobile phone has had on daily life, it is only recently that this disruption has infiltrated music.

There are over 5.6 billion people in the world with cellphones. Statistically, if there are 7.1 billion people on this planet, that means three fourths of the entire human population have a mobile phone. With these kinds of figures and usage, there is a huge audience of people who have yet to be tapped for disruption and engagement. Through the use of mobile applications and successful leverage of mobile technologies, musicians would be able to reach an entirely new audience of people in a very personal way: mobile applications.

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Monday
Jan172011

How Technology Killed Rock And Roll

Rock and roll embodied more than a genre or a lifestyle. It was a religion. One fervently practiced by those involved in the spectacle. Worshippers sought salvation from their ordinary lives and wanted to be a part of something bigger than themselves – a musical nirvana. Throughout the twentieth century, rock and roll evolved into a social movement; it broke down economic, racial, sexual, and social barriers. The raw immediacy of the music struck a chord with the dissonance sweeping the country. Rock and roll embraced new and different musicians who were unwilling to conform to prior musical standards.

The sixties and seventies ushered in the golden years of rock and roll. A time when The Beatles and The Rolling Stones set the groundwork for what defined rock and roll as not only a genre but also a lifestyle. The bigger than life reputations and music spawned an entire new class of musicians. Record companies were quick to capitalize on the new phenomenon. They spent lots of money to perpetuate the myth of rock and roll to the collective masses.

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