The birth of unjazz
Guest post by Ben Morss of Soundfly’s Flypaper. This article originally appeared on his Rock Theory Blog
This winter, walking my dog in the snow, listening to Spotify’s Top 50 playlist, I heard something striking: a lovely jazzy instrumental touched with pretty jazz guitars, the sound of birds and faraway kids playing, topped by a beautiful, timelessly wandering vocal.
Melodic ideas repeated, but the song didn’t have a clear focus or drive toward a chorus. The vocals soared ridiculously far above the bass. I begged my dog to stay and checked my phone. What was this song, and what was it doing in the Top 50?
It was the latest from SZA, called “Good Days.” I resolved to learn more.