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Entries by Bob Baker (24)

Thursday
Oct082009

Music Marketing That's Made-To-Stick

Everybody these days wants to create buzz. They want to grab people’s attention on a large scale. And they want to do it sooner rather than later.

Therefore, everyone wants to know the secret steps they can take to ensure their marketing idea sticks — that it gains traction and reaches the people who need to hear it the most.

A good lesson on this topic comes from musician Paul Hipp. Check out his YouTube music video called “We’re Number 37” — which, as of this writing, has nearly a half million views.

Click to read more ...

Saturday
Jul182009

Beware of Fringe Fans: Appreciate Them, But Don't Let Them Distract You

Imagine this …

You get an email from someone you’ve never heard from before. He writes:

“I’ve sampled a bunch of your free downloads online, and honestly, I haven’t heard one song I really like. So I’m not sure I want to spring for your new album. Tell you what … give me the entire album for free, and if I find a few songs I enjoy, I’ll pay you for it. Deal?”

How would you respond? (Once you stopped cursing, that is.)

Click to read more ...

Tuesday
Apr282009

The New Music Gatekeepers: Fans & Workload

It’s the most common frustration I hear uttered by independent artists and promoters: The workload.

How can I find the time to do all this social networking and guerrilla marketing stuff?

I’ve got so much on my plate already, how am I supposed to add even more to my overflowing to-do list?

I hear you. I know. And ISN’T IT WONDERFUL?

Huh? What in Jehovah’s name is so wonderful about being overburdened by all that needs to be done to succeed with music?

I have a good answer. Let me explain …

Click to read more ...

Wednesday
Mar252009

Fan-Funding & Donation Sites: 9 Ways to Raise Money for Your Next Music Project

Are you ready to record a new album, produce a video, or take on an ambitious new music project? But you don’t have the cash on hand to make it happen now?

Do what a growing number of smart artists have done in recent years: ask your fans to contribute!

The band Marillion reportedly raised $725,000 by pre-selling its Anoraknophobia double-CD album before it was ever recorded. Jill Sobule raised more than $80,000 from about 500 fans to record her California Years album, due out in 2009.

But even lesser known artists have had success with this fan-funded business model. Take a look at what these indie acts have done to involve their fans in music fundraising:

Click to read more ...

Tuesday
Jan272009

How to Set and Reach Your Music Goals

The fifth term of my “Music Marketing 101” class at Berkleemusic.com recently wrapped up. The twelfth and final assignment asks students to create a 12-month marketing plan they can use in the real world.

Most students do a great job with it. But it amazes me how many include goals such as:

Book a lot more live shows.”
or
Sell a buttload of CDs and music downloads.”

Hmm …

Let me ask you: Exactly how many is a “buttload”? How do you know when you have arrived at buttload status? And how much is “more”?

Click to read more ...

Monday
Dec082008

Music Niches: Narrow Your Net to Get More Fans

I’ve said it before, and I’ll say it again. You can actually build a bigger fan base by appealing to fewer people. When you play it safe and try to be all things to all people … you end up being nothing to no one.

But if you specialize in a musical category that fills a need, you can stand out and create stronger bonds with fans.

Here’s one example …

SoundSleeping.com exists for one purpose only: It promotes and sells sounds for sleep and relaxation. According to the web site:

“The music and sounds on our MP3s have been carefully selected and mixed to produce beautifully calming soundscapes. There are no melodies to grow tired of, no changing styles, beats or rhythms — just consistently soothing sounds of nature with tranquil, slowly changing harmonies.”

On the site you can listen to a wide variety of samples and purchase MP3 downloads. Very cool concept.

The only problem with this site is it isn’t branded very well. It’s not clear who created it or who put together the music. Lesson: It’s a lot easier for fans to connect with a person than a “category of music.” Beyond that, it’s a very focused concept that definitely fills a need.

Click to read more ...

Monday
Nov172008

The KamaSutra of Music Marketing

When was the last time you thought about music promotion and making love at the same time? Been a while? Well, by the time you finish reading this column, you may do it more often. (Thinking about the combination, that is. How often you “do it” is up to you :-)

This whole idea started when I ran across an article by Desiree Gullan called “The Kama Sutra of Marketing.” (In case you don’t know, the Kuma Sutra is an ancient Indian text widely considered to be the first manual on love and human sexuality.)

It reminded me of an analogy I’ve often used: Marketing is a lot like dating.

But most self-promoting musicians don’t think of it that way. And because of that, they struggle to get noticed, connect with fans, and make more money.

So, here are some valuable lessons from the Kama Sutra you can apply to your music marketing efforts:

Click to read more ...

Friday
May232008

Go Straight to the Fan!

spuddy_welcome.jpg 

A recent blog post by Bob Lefsetz echoes the direct “focus on fans” mantra I’ve been preaching for years. Here’s an excerpt that addresses the age-old need artists have to “get the word out there”:

“Realize the focus should not be on the media, but the fan. Just like the Internet rid the music business of the need to manufacture and ship, this same Net allows an act to forgo interacting with the media, to go straight to the fan. You must go straight to the fan.”


Here’s another gem I highly endorse:

“A Website is no longer just a repository of information, it’s the front door to your fan club. You may be a musician, but second to that, you’re running a club. You have to spread the word on your music, you have to create demand for your tour.”


That’s right. You’re no longer simply an artist. As Andrew pointed out so well here, you’re also a community builder, a party planner, and a social director all rolled into one.

-Bob

P.S. I’m not suggesting you should ignore the media. The real lesson here is that all of your marketing efforts should be for the sole purpose of attracting fans and building relationships with them.

 

Monday
Apr212008

MySpace Music & Corporate Conspiracies

It seemed simple enough. But who knew it would stir up such venom from my readers?

I’m referring to my recent blog post about the upcoming launch of MySpace Music, which is supposed to allow MySpace artists (both signed and unsigned) to sell music downloads, merchandise and concert tickets from their MySpace profiles.

The opportunity to not only get exposure, but also make a few bucks from a MySpace music profile, seems like a potentially good thing to me. But some readers felt otherwise, mostly because of the involvement of major labels in the new MySpace Music venture.

One reader wrote “How can this be a good thing for indies if 3 out of the 4 major labels have a stake? It smells fishy to me. Why does a major label need a percentage of ownership?”

From what I’ve read, it’s a business decision on the part of MySpace. For any company to take on iTunes and make available a vast amount of music to sell, they’d have to pay the major labels exorbitant licensing fees.

By bringing on the labels as partners in the project, MySpace is most likely avoiding a ton of upfront costs and the labels will get paid later as their music sells, and will likely get a cut of ad revenue as well.

I understand the concerns. Here’s this hugely popular site that was built in part by the indie musicians who flocked there and promoted it to their fans. There’s a fear that the magic will be tainted now because the struggling and desperate major labels are sinking their claws into it.

Hence the fear, the worst case scenario expectations, and the cries of “Chicken Little, the sky is falling!”

But here’s some news for you …

Three years ago, MySpace was purchased by NewsCorp, the media conglomerate owned by Rupert Murdoch. Back then, the conspiracy theorists predicted that life as we knew it would come to an end. But here we are in 2008, and MySpace continues to be a major online force in music.

I’m not saying that all is well and these business entities have the best interests of indie artists in mind. (Remember, I’m the guy who for many years has been saying “You don’t need a record deal.”) My attitude is, it sounds good, but let’s wait and see. Why rage against the machine when nobody has even seen what the new music agreement will be?

If the new MySpace Music lets artists sell stuff (without claiming rights to the music) in addition to what artists can currently do with a music profile, who cares if the majors are involved? Who cares if they’re getting a cut of ad revenue? Heck, maybe they’ll help draw even more traffic to the site. No one knows, so let’s just wait and see what happens.

But what if they change the rules and make it harder for indie acts to get exposure on the site?

Well, that would indeed be very short-sighted on the part of MySpace. But here’s the ugly truth: MySpace doesn’t owe you or any other artist anything. Just because they’ve made all these cool tools available to you the last few years doesn’t mean it’s now part of the Bill of Rights.

There were no guarantees when you first signed on, and there are no guarantees now.

In case you’re wondering, my core message here isn’t one of being helpless in the shadow of a corporation. Instead, it’s a message of self-reliance. If your success depends on the existence of some distant entity, there’s something wrong with your career plan.

I think MySpace is a cool promotional tool (so much so I wrote a popular book on it). But I’ve always warned musicians about making MySpace their primary Internet presence. Every artist needs their own domain name and web site. Then you use MySpace, Facebook, YouTube and other popular sites to funnel fans to your personal space on the Net.

That’s the best plan, in my opinion. That way, if one stream in the funnel dries up, you have multiple other streams to keep fans coming your way.

There’s another aspect of this that concerns me, especially after reading comment threads on this around the Internet. It’s the anger, resentment and fear that wells up in some artists at times like these.

Why get so worked up over something you know few details about? Plus, I believe you are far better off focusing your energy on what you WANT, not on what you DON’T want.

It’s a choice. You can get frustrated and rail against the evil you perceive in the world. Or you can decide what you really want from your life and music career, then go to work making that positive vision a reality.

As Mother Teresa said, “I don’t participate in anti-war demonstrations. But as soon as you have a pro-peace rally, I’ll be there.”

-Bob

P.S. I encourage your comments, whether you’re a lover or a hater.

Wednesday
Mar192008

1,000 True Fans to Make a Living

When Seth Godin calls something the “best riff of the year,” people notice. And lots have.

I’m talking about Kevin Kelly’s blog post titled “1,000 True Fans,” which has struck a powerful nerve online. He puts his own spin on what I and many others have been saying for years about succeeding in the arts in this modern era.

This concept of attracting what Kelly calls True Fans (a diehard subset of a larger group of Lesser Fans) is very intriguing and deserves some serious consideration. Here’s an excerpt:

Assume conservatively that your True Fans will each spend one day’s wages per year in support of what you do. That “one-day wage” is an average, because of course your truest fans will spend a lot more than that. Let’s peg that per diem each True Fan spends at $100 per year. If you have 1,000 fans that sums up to $100,000 per year, which minus some modest expenses, is a living for most folks.

One thousand is a feasible number. You could count to 1,000. If you added one fan a day, it would take only three years. True Fanship is doable. Pleasing a True Fan is pleasurable, and invigorating. It rewards the artist to remain true, to focus on the unique aspects of their work, the qualities that True Fans appreciate.

The key challenge is that you have to maintain direct contact with your 1,000 True Fans. They are giving you their support directly. Maybe they come to your house concerts, or they are buying your DVDs from your website, or they order your prints from Pictopia. As much as possible you retain the full amount of their support. You also benefit from the direct feedback and love.


Again, this all dovetails with the indie message I’ve been hammering home for years. You don’t have to be a household name to be successful. Thousands of musicians, authors, artists, photographers, filmmakers, bloggers and more make a nice living serving their unique slice of the population. I proudly count myself among their ranks.

These self-empowered creatives work outside the traditional structure and usually make smart use of the Internet to bypass middleman roadblocks and take their craft directly to the end user: the fan. Reach enough fans in this manner and serve them well … and you will eventually have a solid list of True Fans — people who will reward you often with their time, attention and money.

Read Kelly’s entire blog post and the reaction to it around the Net. Then get busy building your fan base … and serving them well!

 

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