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Entries by Dave Kusek (13)

Wednesday
Feb112015

Indie Artist Summit in Nashville

Music conferences are filled with so much doom and gloom. And yet I see success every single day in the careers of the indie musicians I work with. It’s not about looking back. It’s about looking forward together with optimism. This is where the future of the music industry will come from and this is what we need to be focusing on.

 

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Monday
Oct272014

How to Book Your Own Gigs

Every musician has to start out booking their own gigs, but, as you’ve probably realized, this is a lot easier said than done. After all, there are so many musicians and bands competing for very limited performance spots. For promoters, it’s a game of risk management - they want to book bands they know will fill the room - so getting the spot as a new band can be very tricky. There are, however, some things you could be doing that can help you get those gigs!

What is a Promoter?

A promoter or venue owner is someone who buys talent. Depending on the size of the venue, they work independently or with booking agents to book bands and musicians to perform. For local clubs and venues, promoters and venue owners get a percentage of ticket sales and also make money from food and drink sales. As you can see, the business of promoters is really all about numbers - if they don’t fill the room, they don’t make money. This is where you come in. If you want to get the gig, you need to be able to prove that you can bring an audience, therefore lowering the risk for the promoter.

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Monday
Oct132014

Score a License: What Music Supervisors are Looking For

There has been a great deal of buzz about music licensing in recent years, and with good reason! Compared to other revenue streams, licensing can have potentially big payouts for indie musicians. It’s also a pretty confusing aspect of the music industry. Just how exactly do songs get on those TV shows? The conductors behind those licenses are music supervisors.

What is a Music Supervisor?

Music supervisors oversee the music-related aspects of TV, films, and video games. They are in charge of interpreting the producer’s vision, finding the right track, and negotiating the contract with the artists. Of course, there are MILLIONS of songs out there, so finding the right one is no easy task. On top of that, licensing for use in visual mediums is a juggling act, with as many as eight separate deals depending on how many parties are involved (songwriter, recording artist, record label, publishing company, etc.) and how the song will be used.

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Tuesday
Sep022014

Musicians as Entrepreneurs

The music industry isn’t the same as it was in the past. A lot of people have spent a lot of time complaining about this following the rise of the internet, but like everything else, it’s just change. Change isn’t positive or negative, rather it’s what you do with that change that matters. The successful musicians and music business people are embracing that change and running with it as a new breed of entrepreneurs.

In today’s music industry there is no one-size fits all model. We are all free to experiment and find out what works best for us, our fans, and our music careers. This is the true definition of entrepreneurship. Today’s music business approaches would not have worked in the past when technology was expensive and valuable connections were hard to come by.

As an indie musician, I already know you are extremely creative—more so than most business people out there! You may have never thought of it this way, but you have the same mindset, problems to solve and thought process as an entrepreneur. The key is to harness that creativity in your career, capitalize on this new artist ecosystem, and build it into your own model.

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Wednesday
Aug132014

Music Business Strategies

There are a lot of musicians out there struggling to pay the rent, grow their fan base, and make a profit on tour. It’s a tough road, but if you’re dedicated you can make music your career. In today’s music business, it’s not about forcing yourself into a one-size-fits-all box, or throwing a dice and hoping for the best. It’s about building the right career for YOU and YOUR music, experimenting, learning, and adapting to change. Today, you are an entrepreneur, not a product, and great success is waiting for musicians with this mindset. 

The New Artist Model is all about thinking of your music career like a business and using creative strategies to start growing now with the tools and resources you have available. In the New Artist Model FREE E-book, you’ll get a glimpse at some of the proven strategies we discuss in the full online course. Click the image to download your copy and check out the 10 key points of the New Artist Model below.

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Monday
Jun302014

Tips From Jack Conte: 6 Keys to Success

The new music industry is really about finding your own path - one that is unique to your music and career. That’s exactly what Jack Conte and Nataly Dawn did with Pomplamoose and it is the foundation on which Jack’s new endeavour, Patreon, is built. Pomplamoose and Patreon may not be names you see plastered all over billboards and flashy advertisements, but Jack and Nataly have made a sustainable career for themselves, and that is something all musicians should strive for.


Recently, I talked to Jack Conte about some of the tips and strategies that have gotten him to where he is today - living comfortably as a musician and CEO. He gave me some really great advice that you could be incorporating into your music career right now. Here’s a few tips, but we’ve got a full hour of information for you that you can check out in this free webinar.

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Monday
Jun092014

Get More Gigs

In today’s music industry, gigging is a huge revenue for a lot of indie musicians. Unfortunately, there’s also a lot of competition for the limited gigs available. Just standing out of the crowd of talented performers can be a challenge, especially when you’re trying to grow into cities and towns you’ve never played before.

 

If, however, you are dedicated and have a strategy in mind when looking for gigs, you’ll have a much better chance of getting noticed. I’ve broken it down into 5 basic tips that you can follow as you’re trying to book more gigs.

 

1. Collaborate

Collaboration is the first step to this equation. I’m sure you know how hard it is to get a spot in new venues, especially if you’re not yet at the point where you’re working with a booking agent. Venue owners and promoters just feel safer booking a band that they know can fill the room. If, however, you can connect with the bands the promoter knows, you might be able to get gigs you wouldn’t normally have access to.

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Tuesday
May202014

Make the Most of Your Email List

One thing a lot of indie artists procrastinate on is tackling their email strategy. There are lots of things you need to get your head around, from which platform or service to use, to what content to include, to how often to send emails. On top of that, you also need to figure out how to get people to actually sign up for your email list - a marketing role that many musicians are uncomfortable with.

Despite all this, your email list is still one of the most powerful assets you have. I’ll break it down into 5 main points so you can easily update your email strategy.

 

1. Platform

If you don’t already have one set up, you’ll have to choose a platform to send your emails out. If you try sending out an email to hundreds of fans through services like Yahoo and Gmail, it will often get marked as spam or won’t even go through. You can, of course, opt for generic platforms like Mailchimp or Constant Contact. Keep in mind though that many services you already use have email functions like Pledgemusic, Bandzoogle, and Fanbridge.

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Monday
May052014

5 Steps to an Amazing Band Website

By now I’m sure you understand the importance of having a website for your music. However, a sloppy, hastily thrown together website may actually be hurting your brand more than not having one at all. I’m sure you’ve all visited a website that was unorganized, out of date, or unprofessional looking and clicked off without even giving the content a chance. You don’t want that happening to your website!

The fact of the matter is that with all the tools and services out there to help you build a clean, professional website, you don’t really have an excuse. There’s also a ton of people with basic web design skills these days. There’s probably someone in your extended group of friends and acquaintances who knows all about Wordpress or can write HTML. Even with all that, building a new site or refurbishing an old one can seem a daunting task, so I’ve broken it down into 5 things you should keep in mind through the design process.

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Tuesday
Apr292014

5 Money Management Tips for Indie Musicians

There are many articles out there telling indie musicians about all the cool ways they can make money in today’s music industry. However, all that money that you could potentially make probably won’t equate to very much if you don’t have an understanding of personal finance and budgeting. Without a sense of finance you could see your hard-earned cash going down the drain as a result of impulse buys, unstructured saving, and over-spending for your projects and tours.

If you’re far enough along in your career, your manager or accountant may take care of budgeting and finance, but, especially in today’s industry, most musicians starting out may only have a friend or classmate acting as their manager. With all the stuff you need to get done, something as mind numbing as finance tends to get pushed under the rug in favor of more glamorous activities like recording, writing, and talking with fans on social media. But the fact of the matter is, it’s not glamorous to throw money away. And that’s exactly what you could be doing with poor budgeting and finance. 

So how can you get a better handle on your finances and get the most money out of your music? It’s actually a lot easier than you would think - no boring accounting lecture necessary!  With just 5 quick fixes, you can be more organized and make more money.

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Wednesday
Apr022014

Crowdfunding the Right Way

In the past, money was a huge barrier for musicians, and one of the main reasons many were forced to tie themselves to a record label. Today, many musicians are finding their own ways to creatively fund their albums and tours, with the most popular option being crowdfunding. Crowdfunding is a huge undertaking, but, if done correctly, you can come out of it with a whole lot more than just money. It also presents dedicated and creative artists a chance to connect with their fans in a whole new way.

Learn how to run a successful crowdfunding campaign with these 5 tips

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Monday
Mar242014

Lessons from Macklemore

It’s the success every musician dreams about - making it big on your own. But you know what? It’s no fairy tale. The career of Macklemore and Ryan Lewis has been a long, hard road - one that a lot of people would have turned away from a long time ago.

 

The duo brought home four Grammy’s in January and, although Alternative Distribution Alliance (ADA) is helping them with distribution, they’re still not signed to a major record label. So how did they get here?

 

Here are some key lessons to learn that helped Macklemore and Ryan Lewis find their success.

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Monday
Mar172014

Social Media Secrets for Indie Musicians 

Today, social media is the cornerstone of your music career. It’s what lets you stay in touch with your fans and easily notify them with exciting news. With all the social media guides out there, you’d think no one remembers one of the key behavioral aspects to being human – socializing. I know, it’s hard to find a balance between social and promotional – afterall, you still need to sell your show or record. Here’s 5 secrets to help you find that social media balance.

1. The 80/20 rule.

So exactly what is the balance between personal/interesting content and marketing content? I don’t like putting a formula to something as spontaneous socializing, but a general rule of thumb is that 80% of your content should be personal, funny, interesting, and entertaining, and 20% should be reserved for marketing pushes. Go beyond 20% and people start ignoring you. Keep it social. Keep it fun.

2. Drive interest.

Just like the flow between social media and the offline experience, you should also create a flow between your social media channels and your website. Your website is the hub of your career online. It’s where you make sales and have more detailed information for fans. Link creatively to your website, so that you give people fun and interesting reasons to visit.

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