The Age of Production

ProTools is the new guitar.

We’re in the age of production. –
Almost everyone’s participating!

Live concerts, the recording process, the number of “production” educational programs, electronic music, and much more.

Computers are shaping the future, innovation, culture, art, and more much in the same way rock and roll once did. If you’re a part of the youth, you want…

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Need help winning Joe Bonamassa's Blues Masters Competition

Hello my name is Hollaman Lindsay and I am asking all of you to see if you can possibly aid me in my attempt to win Joe Bonamassa’s Blues Masters Competition. The first round for this contest is based off of viral popularity and how many views and shares your audition video gets, now I aint sayin that I cant generate that many views and shares because I dont have the talent, Its just that I live in Hiram Georgia and we got more stock in rakes then we do computers so its hard for me to find many people around me to support it. So I am inquiring you to see if you can help me get my name out there and get my audition video views and shares because if I can get past this first round and make it to guitar duals I think I got it made in the shade.

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Practical Music Theory

There’s some debate among musicians and songwriters about the value of learning music theory. At one extreme are those who feel that learning a set of “rules” will only limit their creativity, and at the other end are those who are truly interested in understanding how the parts of a musical piece work together.
Both extremes have some validity to their viewpoints, but they ARE extremes – most people fall somewhere in the middle. They see the value in knowing more than they do, but may be intimidated by the topic or may not see the value in knowing about it.

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Practice Makes Perfect, But Promotion Makes Success In The Music Business

One of the most advantageous relationships an artist or band can have is with a promoter. At the local level, there seems to be a mystery as to what exactly the promoter does. “Does the promoter promote? Shouldn’t the promoter be responsible for bringing all the people if I’m putting everything into the music end?” These questions resemble those I hear from local artists on a semi-frequent basis. While that logic may seem like it makes a lot of sense, it can ultimately hurt the artist in the long run.

To answer the question; yes the promoter promotes. However, the promotional push varies at different levels based on the expected effectiveness. For example, a large national act or regional touring band has a recognizable name. If I’m promoting a show with a headlining act with a solid fan base, investing in print ads, radio spots, and other means of advertising may make a lot of sense. The average concertgoer will see that name and make it a point to go to that show. The context of the promotional push is much less important at this level. Whether you see a facebook post from your favorite band or a flyer at your bus stop, you’re going to that show regardless of how you found out about it.

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A Look at the Music Industry

Contrary to popular belief, file-sharing didn’t destroy the music industry.  It didn’t even change the industry.  It was people’s assumptions about the industry that changed the industry.  All file-sharing did was allow for these assumptions to become more apparent.

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