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Anybody (no really anybody) can contribute anything relevant to this page…All mp3s should be posted on the MTT radio page. If you cannot find your post here, your article may have been moved to the MTT homepage.

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Entries in DIY Artist (54)

Wednesday
Nov132019

Music Talks’ Massive Giveaway Event – In Conjunction With Its Fourth Birthday

Music Talks Turns 4 and Celebrate With Awesome Giveaways. New Prizes every week for four weeks. Caps, Backpacks, Online Singing Lessons, Video Animation and Artist Directory Listings.

Click to read more ...

Thursday
Jan282016

5 Tips For Getting Featured On Beatport

So you have a new release and want it to be featured on Beatport. Well get ready, because there is a lot of competition. But the good news is that it can all happen with consistency and, of course, good music. We work very hard to help our clients get features each and every week. Here are some simple yet effective ways to increase your chances of being featured on the coveted site.

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Wednesday
Nov252015

Why It's Important To Develop Your Strengths If You Want To Grow As Musician

Yesterday I saw a great quote:
“Success is achieved by developing your strengths, not by eliminating your weaknesses.”
It’s from Marilyn vos Savant. She’s known for having the highest IQ.

Think about it. It sounds quite logical. Weaknesses can be distracting. Eliminating your weaknesses is like eliminating the weed around a young tree. By eliminating your weaknesses, you eliminate some of the distractions that prevent you to focus on your goal, like growing your career as musician.

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Sunday
Aug162015

William's 2 Step Method For Increasing Your Value As A Musician

Is it weird that I love to study Boar’s Head? You know, the sandwich meat company?

Not only is their quality spot on but I LOVE their slogan –

Boar’s Head – Sacrifice Elsewhere

That is dope (Did I mention that I have no life?). But, it’s a testament to our thinking here at HTBAMS.

We would rather pay 2x the price knowing that we get an amazing product, versus saving a few pennies to get the knock-off. It’s just not the same. 

But, what happens when we invest in ourselves?

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Wednesday
Jul222015

Innovation, Our New Job As The Music Industry

I released my first music video, “Rocket to the Moon” today. As a new artist with a low starting fanbase I understood I wouldn’t be able to get much press write up for my music video unless I presented something never seen before. So that’s what I did, I created “The World’s First Portrait Music Video”, and the press followed. It is our new job as the Music Industry to lead innovation.

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Friday
Jun192015

How To Earn The Most Money As An Independent Musician

As an independent musician, a lot of the time you’re making music for the passion; you love what you do and it loves you. But there comes the time when you need to ask yourself “how am I going to make a living out of this?”

Which is what we thought here at Ditto Music – so we opened the vaults of our data and studied well over 100k releases and found out how an independent musician can make the most money from their release.
There were quite a few interesting data points we found:
• iTunes is the runaway leader in royalty generation for artists - it outperforms all its competitors in every genre and remains the main store when it comes to music sales.
• Soundtrack is the highest grossing genre of music by a long way, bringing in 58% more than average for a release.
• With the debate over Spotify’s royalty distribution in the news, it’s interesting to see that the store pays out far below the average when compared to its rivals.
• Hip-Hop’s popularity over the last few years has seen its stock rise significantly, with a Hip-Hop artist looking to net themselves 11% more than average per release.
We’ve picked through all the data and presented it in a much easier to digest manner, analysing which store is best for your genre, along with how much each genre makes on average.


Infograph

 

 

Click here for more information

Friday
May292015

Sell Your Music (with No Competition) - CustomComposing.com

My name is Aaron Billings. I am also known as the Custom Music Guy.
I have created a revolutionary website and system that helps composers turn their dream of creating music for a living into a reality.
In fact, I ran some numbers about how likely it is for one composer’s work to be chosen when a music sale is made. And these are the results that I found:

Click to read more ...

Monday
Mar302015

How to Increase the Reach of Your Music

Clients on board of Symphonic Distribution have a lot of offerings, but above all, they have choice. Our clients can choose when they want to deliver their content and where they want to deliver it. That choice is not easily found with our competitors, as some won’t even let clients have a direct account on a partner that the distributor is not delivering to (we call that ridiculous).

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Tuesday
Jul152014

"It's Not Just About The Music…"

“It’s not just about the music- the music is the foundation and the platform but to make that music heard it is so much more. A great song is kind of the beginning. Even most the songs on the radio- I would say it’s half great songs and half good songs put out by great artists- people would rather hear the okay or good songs by the artists that they love and stand behind and the movement they follow rather than great songs by people that they don’t care about.”

“It’s all about the moment and the experience, you have to give people something they can remember- maybe it’s doing something in your set that’s a little bit different that they can’t get with anyone else. You have to give them exclusive content; it’s the same business model for almost anything. Why do people wanna buy this when they can buy that? What does your product have that the other products in the same exact market don’t? What’s different? Music is the same thing.”

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Monday
Jun092014

What question do YOU have about creating success in today's music industry?

What questions do you have as you pave your path in the music industry?

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Tuesday
May202014

The Ultimate Gig Booking Guide | Phosphene Productions

 

Booking regular shows is an essential part of being a musician when expecting to be heard by the public, and a question we here at Phosphene Productions get asked a lot about. Though everyone has their own technique when it comes to finding the perfect show, many artists new to the scene should devise a “template” to work by and to keep yourself organized when contacting so many different people.

Our goal in this article is to give you a sort of template to use when beginning to develop your own booking strategy, and by the end you should have all the necessary information to kick off your gig.

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Tuesday
Feb042014

New Start-Up Provides Independent Musicians and Labels with One-Stop Solutions

Happy Dog Music is one of a handful of marketing centered music start-ups that are a product of the seismic shift that has taken place in the music industry in the last ten years. Happy Dog Music crafts and implements custom marketing campaigns and provides any other ancillary support clients may need during the course of the agreement. Unlike the typical record label deal, Happy Dog Music clients retain 100% of all rights. Happy Dog Music provides major label support without all of the strings that come attached to a major record deal.

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Monday
Jan272014

Post-Show Procedures: 8 Things Every Band Should Do After the Performance

Do you have a post-show plan? Is there a set of procedures that you work on after each performance? Or, does your band simply work on the next upcoming event – the next show, the next rehearsal, time in the studio, etc.?

In almost every professional endeavor, there is some kind of routine or review period to measure performance or follow-up with customers:

  • In sports, the coach diligently sits down with the entire team to review footage of the previous game. Team member celebrate successes and most importantly, look for areas of improvement.

  • In corporate business, the board of directors and executive staff look over stock performance and make decisions to keep their shareholders satisfied.

  • In the arts, performers carefully review each element of the show to see what delighted audiences and what could use work.

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Wednesday
Jan222014

How Artists Should Deal with Auto-Renewing Contracts

It’s easy to fall into the routine of scrolling past terms conditions agreements without thinking much about them. However, they can often affect the future of your music, where it can be released, who controls it, and how it can be distributed. For example, a licensing agreement can change how future revenues are received (or waive future royalties entirely); a contract with one distributor might limit future opportunities with another; some sponsorship agreements will bind you/your band members to one specific type of product. These are all instances when you are limited by the choices made without full consideration of long-term effects.

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