Top 10 Rules For Better Songwriting
I am a songwriter. I typically work from home using a small studio set up and have been fortunate enough to have written, co-written or produced many songs that have been commercially released.
What are you waiting for?
What am I waiting for? As a musician you live in a hurry up and wait world. You hurry up to travel to a gig and then you wait three hours to hit the stage. You hurry up and make contact with a booking agent and then you wait 3 months for them to get back to you. If your lucky you hurry up and record and then you wait for your label to release it six months later. Plain and simple, it sucks! One of the main reasons why artists don’t have success is that they wait on others to do what only they can do.
Why the Confusion? It Has Always Been About the Business
So much talk about the success, or lack of, making it in the new music business industry. But it really comes down to treating your musician career as a business. Let’s look at some statistics. History shows that…
The Talent Myth
Logic would suggest that the most talented musicians would get the best work. The better you play the more people will want to hire you, right?
The validity of university music programs - especially the ones that focus their curriculum exclusively on performance and completely ignore business, entrepreneurship, or career-building - seems to be predicated on this talent myth. Become the best and you’ll succeed. Why else would you pay $100,000 for a fancy conservatory education?
But we all know the truth. We’ve all seen overwhelming evidence that the most talented musicians do not, necessarily, have the most success as working musicians.
How’s that fair? What’s the deal?
The Many Hats of a Musician
Balancing the different facets of being a musician, along with our social, personal and professional lives can be very difficult. How do we do it, and do you have anything useful you can share with others?
How To Rule The World
Go on, admit it! You are probably nurturing some kind of a world domination plan in the back of your mind. Wouldn’t it be nice to play to a huge room filled with people that came specifically to see you? How amazing would it be if your music could take you around the world? What if you managed to find people from all corners of the world that connected with you and your music?
4 Steps To Transition From Playing Cover Songs To Your Own Music
I’d venture to say that almost all bands start by playing cover songs. After all, what better way to get your chops together than by emulating something already tried and true - i.e. a hit song. The problem comes when a band or artist begins to get popular from playing cover songs, yet has aspirations of one day playing their own music. Unless you’re extremely clever right out of the box, chances are that your self-composed material doesn’t get the crowds going the way the cover material does. This means that as soon as you begin to play one of your own, that hot enthusiastic crowd suddenly goes ice cold, making you feel like your song just isn’t cutting it.
Thank you Elliott Smith
I spend a ridiculous amount of time thinking about the music industry, and particularly the new independent music industry. This is partly because I am an independent musician, and partly because I write a blog on music biz stuff. I’ve also got a natural interest in patterns and systems (and the music industry is one). I like watching things emerge, and I like the ideas that people are forced to come out with to try to make a little money in the current climate.
The Music Intern: Five Tips for Success
With the present state of the music industry, the chances of landing that entry-level, dream job in the music business is even more difficult than it may have been ten or even five years ago. As an intern in the music business working for companies that may be in the realm of record labels, music publishing, marketing or other types of social media/digital companies, you may be asked to do anything and everything.
How To Actually Make $50,000 a Year As a Musician
One of the reasons we started MusicianWages.com was because of the huge reservoir of unqualified career advice that was being served to musicians online. I usually keep quiet about the charlatanry tips I find online, but I just can’t pass this one up. It displays the characteristics of bad career advice so acutely that I just have to point it out.
The Busking Alchemist
This article dropped onto my reading list this past weekend. Want To Make $50,000 a Year In Music? Start With One Dollar a Day. There’s a pair of sentences early in this article that are particularly telling. One of the things that mystifies me about this article is why it continues after this:
A Musician's Guide To Setting And Achieving Goals For 2011
It’s a new year and a clear slate is in front of all of us. The turning of the calendar from 2010 to 2011 is an ideal time to set your goals. I see a marked difference between artists who set finite goals and those who do not.
Many of you may have seen a previous version of this article (or another one) on setting goals as they crop up at this time of year.
Ask yourself: Is this the year I want to make a difference for my musical career? And if so – what difference and how?
Think of goal setting as if you were driving in a foreign place - You wouldn’t get where you expect to go without a clear set of directions.
Goal setting is like drawing a map for yourself.
MTT Open: Everyone Is Lying To You And Becoming a Rock Star
Everyone Is Lying To You On Facebook
In Leena Sowambur’s opinion, social networks are not used for advertising and using Facebook to push information is the wrong way to do it. An artist should not think that people are fans just because they have “liked” the artist’s page.
“Just because you push the information out doesn’t mean you have your fans’ or friends’ attention in fact it is highly likely they are blind to it.” (Read On)
The Science of Becoming a Rock Star
Eric Galen shows how great music careers can be made by relating music to science. He uses charts and physics to explain. Read on for his explanation that can help you take control and steer your music career in the right direction.
“Talk to any successful artist, producer or songwriter, and you’ll discover that each of them struggled at one level until a breakthrough happened and their career took a quantum jump ahead.” (Read On)
Bob Marley: The Transformative Sound of Selling Out
Bob Marley comes across as the ultimate musical rebel, though everyone—from American frat boys to Malian army officers—loves his music. Wildly successful, Marley is an enigma: Someone who managed to put obscure local music on the world map; who turned a marginalized community (Rastafarians) into admired trendsetters; who remained a humble barefooted guy even when tooling around in a BMW; who sold a boatload of records by sticking to his guns and making his music, his way. How did he do it?
He didn’t. Marley sold out.
Before you protest, think about it. Imagine, for a second, that a major figure in a subcultural movement—Minor Threat/Fugazi’s Ian MacKaye of the U.S. hardcore punk scene, let’s say—joined forces with a mainstream hip hop producer like will.i.am, and made a really great record that stayed on the charts for eons and moved units in the gazillions. Though some die-hard fans might scream that he’d sold out, he would have transformed the musical landscape.
Is Money Limiting Your Band’s Growth?
You might have assumed from the title of this article that it would be about techniques of acquiring funding to pay for the overheads of running a band, or exploring where best to invest your marketing budgets. Not today I’m afraid.
Today I’m going to challenge the other side of the coin and suggest that money is bad for your band.
To clarify that statement in more detail, my opinion is that focusing on short-term methods of monetising your music career too early on is counter-productive when trying to build a successful and sustainable music career. The classic example is that by selling your music exclusively on iTunes opposed to offering it to fans free of charge fewer people will consume and share your song.