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Entries in music streaming (17)

Tuesday
Jan182022

Olivia Rodrigo Dominated Pop Streaming in 2021, Beating Adele and Taylor Swift

There were many resounding album releases in 2021, but few dominated the media headlines more than those of three Pop heavyweights: Adele’s “30”, Taylor Swift’s “Red (Taylor’s Version)” and Olivia Rodrigo’s “SOUR”. But which release brought its author the most attention in terms of a growing Spotify fanbase? Music research and analytics platform Viberate looked into the data to settle the dilemma once and for all.

For unbiased results, Viberate examined how many new Spotify followers each artist gained in two weeks following each release (the surrounding hype usually brings in new fans within that time period), and looked at spikes in monthly listeners after the release. To see if the artists have fans among their peers (other artists and festivals), Viberate additionally checked out how many notable social media mentions each artist got throughout the year.

The results show Olivia Rodrigo was the overall winner.

Olivia Rodrigo brought the most attention to her profile, as she gained over 14M new monthly listeners and 969K new followers in just two weeks. Her top-performing track was (and still is) “drivers licence”. It was clocking in almost 800M daily streams at the time of album release and has already amassed 1.2B streams so far.

Taylor Swift placed second with similarly incredible numbers. She gained 11.9M new monthly listeners and 759K new followers in two weeks. “All Too Well (10 Minute Version) (Taylor’s Version)” was streamed the most, averaging 50M streams per day.

Adele came in third. She gained 7.4M new monthly listeners and 694K new followers in two weeks. “Easy On Me” was streamed the most, with 385M plays at the two-week mark.

All three artists were mentioned on social media by their peers and music festivals a lot, with Taylor Swift being mentioned the most.

What can we learn from all this?

It’s interesting to note how different release strategies impact the streaming numbers. Adele’s biggest leap corresponds to her announcing the album and releasing the “Easy On Me” single, meaning that she brought in the majority of new fans in the promotional period. Taylor Swift released two albums in 2021, so she was omnipresent throughout the year. Her releases were placed on a ton of Spotify playlists (her current reach surpasses 390M Spotify listeners), and the steady growth suggests she’s been successfully converting listeners into fans along the way. Olivia Rodrigo is the Pop newcomer of the year not only because of the industry awards won, but also because her strategic releases (hit single first, album second) increased her Spotify following 50 times over in 2021.

For more data insights such as these, visit Viberate.

Olivia Rodrigo Dominated Pop Streaming in 2021, Beating Adele and Taylor Swift

Wednesday
May262021

Listening habits of Chinese music fans

As an artist or musician you may be curious about the listening habits of music consumers in China. Here at Musicinfo, we asked 38 Chinese students who worked on one of our recent research and development projects about the services they use, the kind of music they like, when they listen to music and more.

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Tuesday
Jan262021

How To Find Your Music In China

There is a possibility that your distributor or label might have at sometime distributed your music in the past to China and it is now floating around somewhere out there. This search will find if your music is there, it may be just a catalogue list with no sound file or it may be that it wasn’t properly removed when you changed labels or distributors and was left with no one to claim its license. If you do find your music in the search to your surprise, then you may contact your current or previous label or distributor to claim the licence or you may inquire a distributor like Musicinfo who specializes in digital music distribution to China to help claim your music.

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Friday
Jul032020

How Listeners In China Drive Streaming Music Engagement

The future of streaming music and consumerism is in China with interactive social virtual environments that drives users to engage three times more. Music streaming is focused on banking on fandom not consumerism, like it is in the West. A very social virtual environment makes it happen.

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Tuesday
Jan212020

The Year Of The Rat And What Is Means To Musicians

What does the Chinese New Year and the year of the rat mean to Musicians.

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Thursday
Dec192019

The Need For Cybersecurity In Streaming Services

The growth of technology in our lives has offered us many amazing benefits. We are able to connect and share information with people all over the world in a breeze. We have knowledge on just about any topic at our fingertips. Tasks such as depositing checks into the bank or paying bills no longer require a physical trip anywhere.

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Thursday
Sep122019

Is Playlist Streaming Hurting The Artist?

Since streaming became the new norm, overtaking CD sales and now paid downloads of artists music, it’s now become more evident how streaming and music playlists are actually hurting artists and devaluing who’s behind the music.

But does anyone care?

I wish I could say they do, but it seems that every time someone say’s Playlist’, artists are jumping on board to add themselves to one or more of the millions of playlists that exist only to be added to the needle in the haystack.

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Thursday
Nov152018

How Millennials Are Changing The Music Industry

When it comes down to it, millennials are completely altering the industry as we know it because of the quantity of music we consume and the technology we use to consume it. Millennials are consciously changing the industry as insiders, and we’re intentionally and unintentionally changing it as consumers.

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Monday
Nov052018

Have Music Streaming Services Made Albums Irrelevant?

Humans have refined taste music. Computers don’t. But today we have computers evaluating whether or not to display music based on quantity and key words rather than quality and artist identity.

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Wednesday
Jan172018

Is Radio Still Important – And Did Streaming Kill The Radio Star?

The music industry is caught up with streaming and playlists and with good reasons, but what about radio? How does the future look for the radio format and is it still relevant?

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Monday
Aug222016

Meet The Man Who Live Streamed The First Concert With Ben Harper

Today, we take music streaming platforms like Spotify, Apple Music and Soundcloud for granted, despite their relatively new existence. The growth of digital consumption over the past decade has far exceeded any other period in the music distribution timeline. We decided to take a closer look at how music streaming services came to fruition, beginning with the very first platforms. One such platform was Virgin Jamcast, founded by Scott Roulet in partnership with Virgin Entertainment.

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Thursday
May192016

Vinyl Record Sales Surges And Music Events Go Viral, Thanks To Rising Popularity Of Online Music Streaming

Downloads of music clips are down, and sales of music compact discs (CDs) are dropping—both of which are casualties of the battle for the hearts and minds of millions of music buffs who are more than willing to pay a few bucks to hear their favorite tunes. And the winner of this particular round happens to be online music streaming, which (to those who might have been living in a cave the past year) plays a cell device user’s favorite songs at a few simple clicks.

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Friday
May132016

Who Killed The Creativity And Imagination?

In a generation that is hooked on video games, cells phones and laptops, it’s no wonder why we lack the creativity and the imagination of other generations. It starts from the time of being an infant to early childhood. The toys children play with leave nothing for the imagination to pick up on. Toys nowadays not only talk; they interact with children as well. Don’t get me wrong; I think this is great for children to build communication skills, however I believe that other toys should allow children to be creative and use their imagination. Creativity, imagination, and common sense are all skills that are becoming rare and hard to find.

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Wednesday
Feb242016

Spotify: The Music Industry’s Life Support?

Recording Academy president Neil Portnow, does not believe that Spotify is out for anyone, but themselves. On Grammy night Portnow took to the stage to aim shots at music streaming services for making less-than lucrative deals with artists and musicians. Neil Portnow said, “Isn’t a song worth more then a penny?”

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