An Honest Review of the All-New Sonicbids EPK System

Today, I was checking out a Sonicbids EPK that was emailed to me. Much to my surprise, the layout for a Sonicbids artist profile completely changed – there was no quick bio, music player on top, or a useful set of links (press, stage plot, etc.). Instead, I found a Pinterest-like layout with navigational tiles. I thought it was just some lame option that the artist chose, but decided to check using my own band’s profile.

This is what I found:

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The Coffee House Sessions

Coffee House Sessions is a new music initiative, exposing the hottest in upcoming UK music talent to the student market via daytime performances in University coffee shops around the country: http://youtu.be/CZRp_MoTqhM. 

With a carefully designed touring circuit taking place in 40 universities, Coffee House Sessions holds acoustic performances at two different campuses a day over a ten day period and provides promotion for the showcased artists through student media outlets such as student newspapers, student radio and student TV at each university.

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Recording Festival

Many a musician has had that lovely daydream about recording for free with an award winning producer in a legendary studio, and making it big so they could travel the world. Recording Festival has captured all these dreams and combined them into one reality, offering artists the chance to win a free two week recording session with a stellar team of music producers (with awards, even Grammys, on their resumes), and doing all this recording in the heart of Ireland in an all expenses paid trip. Is this a dream come true? Most definitely. It will be a dream come true for not one, but for three lucky artists / bands.

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How to be Featured on Music Blogs

At NoisePorn.com, we pride ourselves on featuring little-known, talented artists just launching their music careers, alongside their established counterparts. We love getting emails from artists who don’t have 1 million, 50,000, or even 1,000 Likes on Facebook. Discovering new talent for us is typically more exciting than just another release from a legendary artist.

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One Book To Rule Them All! The Elusive "It" Factor in the Music Industry

I have always been a creative entrepreneur, and not allowed the world to get the better of me, but instead, let the world fuel me. Throughout 13 years in the music industry I’ve worked with some of the best in the business: Anita Baker, KC Porter, Jim Henson Studios, Never Land, OK GO, George Duke, Lauren Mayhew, Pomplamoose, and as far as I can remember, I’ve heard of “it,” this elusive thing setting apart the extraordinary from the ordinary. These people encapsulate: auras, energy, and empower all that are near; you’re drawn to them.

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7 Tips to Increase your Exposure and Potential

By now it’s apparent that there is a ton of music out there – over-saturation is a term you may hear often these days. For anyone getting involved with the music industry there is always a need for more exposure and promotion. If an artist or a record label has it, they will sell better, simple as that.

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Artist or Project Management?

I have been pondering a lot lately on the concept of “artist management” in the proper sense of the word, or at least what the industry is experiencing.  As the music industry evolved, the role of the artist manager must deal with changes in order to evolve as well.
 
The image of the manager who dictates the directions to take and strategies to use is an image that I think is outdated. “Manager” is rather an ally that is part of the project where the artist must look at his career as a multi-phase project (the concept of releasing an album and make its marketing is in itself a project phase). The “manager” must become a manager of this project.
 
The role of the project manager, according PMI (Project Management Institute), is “a person assigned by the performing organization [eg artist] to lead the team that is responsible for achieving the project objectives.” Already, this definition changes the role’s dynamics. In this optics, the “Manager” is no longer responsible for the artist but instead responsible to lead the team to achieve the defined objectives. Lead and manage are two distinct concepts.  You lead the artist and manage the project.
 
It therefore becomes important to talk about the maturity of the artist since an artist starting in the industry will not necessarily have the skills to run a business and have the vision for it. In this scenario, it is important that the two components (artist + manager) have some experience to manage a project (project manager) and for the artist to head a performing organization… [To be continued]

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These are my first steps with this theory that I shall explore with you.  In the next few months, I will elaborate and analyze these two worlds - project management as described by PMI (Project Management Institute) and the music industry.

Before You Sign...

What You Should Know Before You Sign the Deal can be found in this book…

Unlike any other book about the music business, “Music Business: It’s a Dirty Game!”,

this book is not a ‘puff piece’ about the glitz and glamour about the music business.

This book takes you on a journey from the excitement of having a music publishing contract with a major music publishing company to the legal battles that followed.

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FAILURE VS.SUCCESS - Your Music Career

Get used to the word “no”. You’re going to hear it a lot. But all it takes is a “YES” or two and you’ll be on your way. Don’t be afraid to ask for help either. You may find a patron saint out there who would love to be a hero. It happens more than you’d think. You will run into disappointment. That’s a fact. But, don’t let that deter you. Remember, you can only measure your success by comparing it to your failures. Some of the biggest names in music failed miserably before they succeeded.

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Thom Yorke and Nigel Godrich Might Be Getting old

The Music scene used to be for young people only, now to use the overused cliche 40 is the new 30, 30 is the new 20 and so on. As we all get older it is very tempting to look back and say that the music and the scene were better 5,10,15 years ago depending on our age. So if you are pushing 30 then I am sure that you have caught yourself complaining about the way the scene that you are into is changing and expressing your personal gripes to others that might actually care along with you. I bring this up because Thom Yorke and Nigel Godrich just gave a pretty candid interview with pitchfork…

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6 Things You Can Do With $100 That Will Change Your Music Career

Money. Let’s face it: most artists aren’t very good with it. Most of us don’t have much to invest into our music career (relatively speaking), and when we do, we tend to throw it at some random opportunities without a larger strategy in mind.

Take, for instance, submission fees to music festivals. Each year, thousands of artists spend over $100 in application fees or subscription costs to EPK sites, in hopes of getting a show at SXSW, CMJ, Bumbershoot, or other large festivals. Personally, I think festivals are overrated in terms of importance for your career, but if you really want to get in, try reading this guide: How to Get Into SXSW.

You can easily spend $100 on strings, picks, or sticks. You could even buy a cheap electric guitar. Or, if you were riding in my tour bus, $100 almost covers the gas from Portland, OR to Seattle, WA.

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5 Ways For The Working Musician to Make Money Online

Musicians like artists, graphic designers, film makers, or ony other type of freelancer as we all well know through YouTube and personal websites, work tirelessly on their online presence. This is now the forum where new artists get noticed, and frelance musicians and composers not only get work but also showcase talents and portfolios. For the archetype of the working musician as a jack of all trades, we all well know that gathering income from many sources is paramount to one’s financial and personal success. With all the work that one puts in to building up an online presence for the hope to get more gigs, more students, more downloads sold or whatever that may be, there is also secondary income sources that one can take advantage of from building traffic and a following, much like the savvy internet maketers strive for in their own commercial pursuits. Here are some approches in and out of the box.

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Need help winning Joe Bonamassa's Blues Masters Competition

Hello my name is Hollaman Lindsay and I am asking all of you to see if you can possibly aid me in my attempt to win Joe Bonamassa’s Blues Masters Competition. The first round for this contest is based off of viral popularity and how many views and shares your audition video gets, now I aint sayin that I cant generate that many views and shares because I dont have the talent, Its just that I live in Hiram Georgia and we got more stock in rakes then we do computers so its hard for me to find many people around me to support it. So I am inquiring you to see if you can help me get my name out there and get my audition video views and shares because if I can get past this first round and make it to guitar duals I think I got it made in the shade.

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Ditching the Record Label Approach: Alternative Ways to Be Successful in the Music Industry

Aspiring music artists have a plethora of opportunities to be “discovered” in today’s YouTube-driven industry. Previously, an artist had to be discovered and signed to a record label to gain access to the music market. Even after signing a record deal, artists were left at the mercy of the traditional media to become noticed, which was prohibitively expensive.

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